Monorepo for Aesthetic.Computer
aesthetic.computer
gigs: are.na annual vol.8 pitch — score that teaches itself
Track the submission package for Are.na Annual Vol. 8 (theme: Score,
deadline 2026-04-20): tightened pitch, full 68-block channel outline
with descriptions, and the two seeding scripts used against the v2 API.
Co-Authored-By: Claude Opus 4.7 (1M context) <noreply@anthropic.com>
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gigs/are-na-annual-vol-8/README.md
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# Are.na Annual Vol. 8 — pitch
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Pitch package for Are.na's Annual Vol. 8, themed **"Score."**
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- **Call:** [Open Call for Pitches — Are.na Annual Vol. 8](https://www.are.na/editorial/open-call-for-pitches-for-the-are-na-annual-vol-8)
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- **Submission form:** https://aredotna.notion.site/3178a0f816d9815abdf3cb1624bb9e88
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- **Deadline:** Monday, April 20, 2026 — 11:59pm EST
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- **Honorarium:** $200 (published pieces, book releases December 2026)
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- **Submitted channel:** [the score that teaches itself](https://www.are.na/aesthetic-computer/the-score-that-teaches-itself) — 68 blocks
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## Pitch (tightened, ~170 words)
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> **Channel:** *The Score That Teaches Itself* — whistlegraphs alongside Cardew's *Treatise*, Cage's *Fontana Mix*, shape-note hymnals, Fluxus event scores, skateboard lines.
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>
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> I want to write about whistlegraph, a drawing form I invented in 2019 where every mark is a sung syllable. Between 2019 and 2023 it reached 2.6 million TikTok followers with no paid promotion and no trend-jacking. The distribution model was the form itself: a score legible enough that watching, learning, and performing collapse into a single gesture.
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>
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> The essay moves through three registers. As **art**, whistlegraph sits downstream of Cardew and Cage but refuses interpretation in favor of one-to-one legibility. As **content**, it proves a drawing can carry the viral mechanics of a dance challenge. As **interface design**, it became the founding principle of aesthetic.computer — every piece a self-documenting score, every URL a memorizable performance.
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>
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> What I want to work out: why *reproducibility*, not novelty, is the real score of a form — and what it would mean to design more things this way, objects whose instructions and performance are the same object.
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## Thesis in one line
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**The score teaches you how to play it.** Every mark is a sung syllable; watching, learning, and performing collapse into a single gesture.
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## Why this angle
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The strongest candidate from the AC monorepo for the "score" prompt. Already-extant material that supports the essay:
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- [papers/arxiv-whistlegraph/whistlegraph.tex](../../papers/arxiv-whistlegraph/whistlegraph.tex) — the triad *art / content / interface* is already argued.
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- `disks/whistlegraph.mjs` / `whistlegraph-composer.mjs` — the practice site.
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- 2019 → 2023 → Rhizome/New Museum → Feral File → aesthetic.computer — five paragraphs of narrative spine.
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## Channel construction
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The channel is organized bottom-up (scroll reading order) in ten sections:
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1. **Viral / social kin** — TikTok dances, memes, pictograms.
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2. **Instructional / craft** — knitting, origami, sewing, IKEA, LEGO, recipes, tea ceremony.
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3. **Body / movement notation** — Labanotation, Eshkol–Wachman, Benesh, kata, football plays.
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4. **Sport as score** — skateboard lines, Z-Boys, surf breaks, yardage books, parkour.
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5. **Vernacular / folk notation** — shape note, Sacred Harp, tablature, neumes, jianpu, gongche, sargam, gahu.
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6. **Fluxus & event scores** — Yoko Ono, George Brecht, Dick Higgins, Alison Knowles, La Monte Young anthology.
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7. **20th-century graphic scores (the canon)** — Cardew, Cage, Earle Brown, Feldman, Wolff, Ligeti/Wehinger, Xenakis, Oliveros, Lucier, Riley, Young.
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8. **Computational / card-sized kin** — AC prompt, Notepat, Bitsy, PICO-8, Dwitter, demoscene, Inform 7.
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9. **Framing text blocks** — three one-liners that land near the top.
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10. **Whistlegraph** — lands on top: TikTok channel, aesthetic.computer page, Feral File editions, Rhizome/New Museum commission, closing text.
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Full per-block list with descriptions: [channel-blocks.md](channel-blocks.md).
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## Reproducing the channel
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Two scripts, both auth via `ARENA_TOKEN` env var. A personal access token is created at https://dev.are.na/oauth/applications → any app → "Access Token." The OAuth code-exchange path used to originally mint this token is described in [reference_arena.md](../../../../../../.claude/projects/-Users-jas-aesthetic-computer/memory/reference_arena.md) (local auto-memory, not in the repo).
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- [seed-channel.mjs](seed-channel.mjs) — posts 68 blocks to `the-score-that-teaches-itself` in reverse reading order (so whistlegraph lands on top).
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- [set-descriptions.mjs](set-descriptions.mjs) — walks the channel and PUTs a per-block description from the lookup map.
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```sh
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ARENA_TOKEN=... node seed-channel.mjs
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ARENA_TOKEN=... node set-descriptions.mjs
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```
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## Submission checklist
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- [x] Channel live and public (68 blocks, all links annotated).
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- [x] Channel description set (via web UI — API doesn't persist it).
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- [x] Other personal channels set to private so the submission reads as a focused profile.
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- [x] Credentials stashed in `aesthetic-computer-vault/.env` (encrypt with `fish vault-tool.fish lock`).
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- [ ] Notion submission form filled: pitch paragraphs + channel URL.
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## API notes (gotchas from building this)
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- v2 `/me` returns **410 Gone**. v2 channel/block endpoints still work.
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- OAuth **Client ID** ≠ Personal Access Token. A Client ID will read public data but 401 on writes. You need the "Access Token" shown on the app page at dev.are.na/oauth/applications, *or* do a full `code` → `/oauth/token` exchange.
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- `PUT /v2/channels/:slug` accepts the `description` field with a 200 response but doesn't persist it — set via the web UI.
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- Free-tier channels are capped at 200 blocks. 68 fits comfortably.
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gigs/are-na-annual-vol-8/channel-blocks.md
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# Channel — the score that teaches itself
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68 blocks on https://www.are.na/aesthetic-computer/the-score-that-teaches-itself, organized bottom-up (reading order on the channel page is top-down, so this list reads in the order the reader encounters the channel from top).
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## §10 — Whistlegraph (top of channel)
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- [aesthetic.computer (@whistlegraph) on TikTok](https://www.tiktok.com/@whistlegraph)
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> 2.6 million followers. The distribution channel of a form that teaches itself.
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- [Whistlegraph · Aesthetic Computer](https://aesthetic.computer/whistlegraph)
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> The practice site: draw while singing, the result IS the score. Record, learn, perform.
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- [Explore Whistlegraph's art and journey on Feral File](https://feralfile.com/artists/whistlegraph)
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> Forty-five whistlegraph editions on Feral File, 2023.
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- [Rhizome](https://rhizome.org/)
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> Rhizome / New Museum 2022 commission: a 22-minute chalk performance in a public gallery.
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- **Text:** *Every mark is a sung syllable. Watching, learning, and performing collapse into a single gesture.*
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## §9 — Framing text
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- **Text:** *A drawing that constructs the performance it depicts.*
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- **Text:** *The score teaches you how to play it.*
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- **Text:** *Reproducibility, not algorithmic promotion, explains its viral spread.*
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## §8 — Computational / card-sized kin
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- [Prompt · Aesthetic Computer](https://aesthetic.computer/prompt)
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> The prompt is the instrument. Type a piece name, play it. A one-line score for the entire AC system.
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- [Notepat · Aesthetic Computer](https://aesthetic.computer/notepat)
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> Keyboard as chromatic instrument. Pressure-sensitive keys as notational markup on QWERTY.
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- [Bitsy](https://en.wikipedia.org/wiki/Bitsy)
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> Adam Le Doux's tile-based game tool — the syntax itself is the score.
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- [PICO-8 Fantasy Console](https://www.lexaloffle.com/pico-8.php)
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> A fantasy console where the 32K / 128×128 constraint produces the form.
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- [Dwitter](https://www.dwitter.net/)
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> 140 characters of JavaScript → an animation. Source code that fits on a card.
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- [Demoscene](https://en.wikipedia.org/wiki/Demoscene)
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> Intros in kilobytes — source code as a compressed performance.
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- [Inform 7](https://en.wikipedia.org/wiki/Inform_7)
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> Interactive fiction that reads like plain English. The source IS the play.
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## §7 — 20th-century graphic scores (the canon)
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- [Notations (Cage, 1969)](https://www.moma.org/s/ge/curated_ge/styles/list_ge/artists/1191/)
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> John Cage's 1969 anthology — the graphic-score genre's first self-portrait.
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- [Notations 21](https://en.wikipedia.org/wiki/Notations_21)
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> Theresa Sauer's 2009 follow-up — the tradition's next generation.
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- [Treatise (Cardew)](https://en.wikipedia.org/wiki/Treatise_(Cardew))
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> Cardew's 193-page graphic score — no instructions, no interpretation guide. The reader is the score.
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- [Fontana Mix](https://en.wikipedia.org/wiki/Fontana_Mix)
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> Cage's transparent overlay system — the first reconfigurable score.
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- [Aria (Cage)](https://en.wikipedia.org/wiki/Aria_(Cage))
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> Colored curves for vocal register, shapes for technique. A score you read like a weather map.
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- [Concert for Piano and Orchestra (Cage)](https://en.wikipedia.org/wiki/Concert_for_Piano_and_Orchestra_(Cage))
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> Eighty-four score 'solos' to be played in any order, for any duration, in any combination.
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- [Variations I (Cage)](https://en.wikipedia.org/wiki/Variations_I)
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> Transparent sheets, dots and lines — the score is a configuration, not a sequence.
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- [December 1952 (Earle Brown)](https://en.wikipedia.org/wiki/December_1952)
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> Earle Brown's single page — rectangles in two dimensions, read in any direction.
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- [Morton Feldman](https://en.wikipedia.org/wiki/Morton_Feldman)
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> Feldman's graph pieces — intensity and register on a grid. Pitch becomes a choice, not an instruction.
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- [Christian Wolff](https://en.wikipedia.org/wiki/Christian_Wolff_(composer))
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> Prose instructions as scores — Burdocks, For One, Two or Three People. Text as instrument.
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- [Artikulation (Ligeti)](https://en.wikipedia.org/wiki/Artikulation_(Ligeti))
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> Wehinger's listening score — drawn AFTER Ligeti's electronic piece, to teach you how to hear it.
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- [Metastaseis (Xenakis)](https://en.wikipedia.org/wiki/Metastaseis)
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> Xenakis drafted string glissandi like architectural sections. The score is geometry.
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- [Sonic Meditations (Oliveros)](https://en.wikipedia.org/wiki/Sonic_Meditations)
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> Pauline Oliveros's text scores for group listening — attention itself as the performance.
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- [I Am Sitting in a Room (Lucier)](https://en.wikipedia.org/wiki/I_Am_Sitting_in_a_Room)
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> Lucier's one paragraph of text — an entire composition.
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- [In C (Terry Riley)](https://en.wikipedia.org/wiki/In_C)
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> Terry Riley: 53 phrases on one page, any ensemble, 45–90 minutes. A score infinitely rehearsable.
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- [Composition 1960 (La Monte Young)](https://en.wikipedia.org/wiki/Composition_1960)
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> La Monte Young's text scores, including 'Draw a straight line and follow it.'
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## §6 — Fluxus & event scores
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- [Grapefruit (Yoko Ono)](https://en.wikipedia.org/wiki/Grapefruit_(book))
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> Yoko Ono's book of instructions — scores so small they fit on a card.
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- [Water Yam (Brecht)](https://en.wikipedia.org/wiki/Water_Yam)
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> George Brecht's event cards — single-instruction scores the size of a business card.
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- [Dick Higgins](https://en.wikipedia.org/wiki/Dick_Higgins)
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> Danger Music and the idea of scores that can't be performed safely.
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- [An Anthology of Chance Operations](https://en.wikipedia.org/wiki/An_Anthology_of_Chance_Operations)
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> La Monte Young's 1963 anthology — the origin point of Fluxus event scores.
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- [Alison Knowles](https://en.wikipedia.org/wiki/Alison_Knowles)
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> Make A Salad (1962): the salad is the score. The performance is eating.
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- **Text:** *"Draw a line. Follow it." — Yoko Ono, *Line Piece* (1964).*
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## §5 — Vernacular / folk notation
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- [Shape note](https://en.wikipedia.org/wiki/Shape_note)
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> Four shapes, one staff — a self-teaching notation for congregational singing. The score teaches you how to read it.
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- [Sacred Harp](https://en.wikipedia.org/wiki/Sacred_Harp)
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> The shape-note repertoire in practice: the tune is sung in solfège before the words — reading IS learning.
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- [Tablature](https://en.wikipedia.org/wiki/Tablature)
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> Finger position, not pitch. The diagram of where the hand goes; the sound is the consequence.
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- [Neume](https://en.wikipedia.org/wiki/Neume)
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> The earliest Western notation — gestural marks for pitch shape, before pitch was quantized.
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- [Jianpu](https://en.wikipedia.org/wiki/Jianpu)
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> Chinese numbered notation — reads like a score, works like a score, isn't staff notation.
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- [Gongche notation](https://en.wikipedia.org/wiki/Gongche_notation)
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> Traditional Chinese scales encoded in characters — an alphabet of pitch.
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- [Sargam](https://en.wikipedia.org/wiki/Sargam)
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> Seven syllables: Sa Re Ga Ma Pa Dha Ni. A score you sing as you read it.
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- [Gahu](https://en.wikipedia.org/wiki/Gahu)
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> West African drum notation and the oral-diagrammatic pedagogy behind it.
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## §4 — Sport as score / line
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- [Skateboarding](https://en.wikipedia.org/wiki/Skateboarding)
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> A 'line' is a spatial score — stringing tricks across architecture in a single read.
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- [Dogtown and Z-Boys](https://en.wikipedia.org/wiki/Dogtown_and_Z-Boys)
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> Empty pools as performance scores — swimming-pool topography repurposed as notation.
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- [Surf break](https://en.wikipedia.org/wiki/Surf_break)
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> Break diagrams: where to paddle, where to cut, where it closes out. A weather-dependent score.
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- [Yardage book](https://en.wikipedia.org/wiki/Yardage_book)
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> A golfer's private notation — terrain, slope, club, intent. Personal score as tool.
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- [Parkour](https://en.wikipedia.org/wiki/Parkour)
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> A traceur's line is a reading of urban architecture through the body.
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## §3 — Body / movement notation
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- [Labanotation](https://en.wikipedia.org/wiki/Labanotation)
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> Rudolf Laban's 1928 system — the West's most serious attempt at a staff-notation for the body.
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- [Eshkol–Wachman Movement Notation](https://en.wikipedia.org/wiki/Eshkol%E2%80%93Wachman_Movement_Notation)
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> Noa Eshkol's system: the body as angles and arcs, notated on a grid.
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- [Benesh Movement Notation](https://en.wikipedia.org/wiki/Benesh_Movement_Notation)
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> The Royal Ballet's notation — entire company choreography on paper.
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- [Kata](https://en.wikipedia.org/wiki/Kata)
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> Forms passed down by doing. No diagram, but the form itself is the score, memorized in bodies.
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- [American football plays](https://en.wikipedia.org/wiki/American_football_plays)
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> X's and O's that collapse into eleven bodies moving in time.
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## §2 — Instructional / craft
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- [Knitting abbreviations](https://en.wikipedia.org/wiki/Knitting_abbreviations)
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> A closed symbol set encoding a three-dimensional wearable performance.
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- [Crease pattern](https://en.wikipedia.org/wiki/Crease_pattern)
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> Origami before folding — the score for a three-dimensional performance on flat paper.
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- [Robert J. Lang Origami](https://langorigami.com/)
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> Robert Lang's crease-pattern work — paper-folding as programming.
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- [Sewing pattern](https://en.wikipedia.org/wiki/Sewing_pattern)
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> Flat cut-outs that, executed correctly, produce a body. A garment is an assembled score.
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- [IKEA](https://en.wikipedia.org/wiki/IKEA)
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> Image-only assembly instructions that crossed language barriers by refusing language.
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- [Lego](https://en.wikipedia.org/wiki/Lego)
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> Instruction booklets where each page is a diff from the previous state — score as rewrite.
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- [Julia Child](https://en.wikipedia.org/wiki/Julia_Child)
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> Recipes as performance scores: measurement, sequence, expected outcome, tasting as feedback.
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- [Japanese tea ceremony](https://en.wikipedia.org/wiki/Japanese_tea_ceremony)
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> Temae — every gesture choreographed and transmitted by watching, not by diagram.
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## §1 — Viral / social kin (bottom of channel)
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- [Renegade (dance)](https://en.wikipedia.org/wiki/Renegade_(dance))
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> Jalaiah Harmon's 14-year-old choreography diffused through TikTok without algorithmic push — learners watched it, learned it, performed it, posted it. The dance is the score.
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- [Harlem Shake (meme)](https://en.wikipedia.org/wiki/Harlem_Shake_(meme))
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> A 30-second video format so reproducible it became its own genre. The format itself is the score; the content is just the performance.
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- [How to draw Squidward](https://knowyourmeme.com/memes/how-to-draw-squidward)
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> Stepwise drawing memes — the tutorial is the artwork. Score as self-teaching comedy.
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- [Pictogram](https://en.wikipedia.org/wiki/Pictogram)
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> Otl Aicher's Munich '72 pictograms — bodily instructions compressed to a single icon.
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- [ISOTYPE (picture language)](https://en.wikipedia.org/wiki/ISOTYPE_(picture_language))
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> Otto Neurath's picture language for statistics — a proposal for a universal graphic score.
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gigs/are-na-annual-vol-8/seed-channel.mjs
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gigs/are-na-annual-vol-8/seed-channel.mjs
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#!/usr/bin/env node
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// Seed blocks into the Are.na channel "the-score-that-teaches-itself".
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// Blocks are added in reading-bottom → reading-top order so whistlegraph lands
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// first on the channel page.
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//
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// Usage: ARENA_TOKEN=... node seed-channel.mjs
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const TOKEN = process.env.ARENA_TOKEN;
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const SLUG = "the-score-that-teaches-itself";
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if (!TOKEN) { console.error("ARENA_TOKEN missing"); process.exit(1); }
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const blocks = [
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// §1 — Viral / social kin (bottom of channel)
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{ type: "link", v: "https://en.wikipedia.org/wiki/Renegade_(dance)" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Harlem_Shake_(meme)" },
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{ type: "link", v: "https://knowyourmeme.com/memes/how-to-draw-squidward" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Pictogram" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/ISOTYPE_(picture_language)" },
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// §2 — Instructional / craft
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{ type: "link", v: "https://en.wikipedia.org/wiki/Knitting_abbreviations" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Crease_pattern" },
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{ type: "link", v: "https://langorigami.com/" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Sewing_pattern" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/IKEA" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Lego" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Julia_Child" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Japanese_tea_ceremony" },
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// §3 — Body / movement notation
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{ type: "link", v: "https://en.wikipedia.org/wiki/Labanotation" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Eshkol%E2%80%93Wachman_Movement_Notation" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Benesh_Movement_Notation" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Kata" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/American_football_plays" },
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// §4 — Sport-as-score / line
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{ type: "link", v: "https://en.wikipedia.org/wiki/Skateboarding" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Dogtown_and_Z-Boys" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Surf_break" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Yardage_book" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Parkour" },
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// §5 — Vernacular / folk notation
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{ type: "link", v: "https://en.wikipedia.org/wiki/Shape_note" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Sacred_Harp" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Tablature" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Neume" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Jianpu" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Gongche_notation" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Sargam" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Gahu" },
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// §6 — Fluxus & event scores
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{ type: "link", v: "https://en.wikipedia.org/wiki/Grapefruit_(book)" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Water_Yam" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/Dick_Higgins" },
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{ type: "link", v: "https://en.wikipedia.org/wiki/An_Anthology_of_Chance_Operations" },
59
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Alison_Knowles" },
60
+
{ type: "text", v: "“Draw a line. Follow it.” — Yoko Ono, *Line Piece* (1964)." },
61
+
62
+
// §7 — 20th-century graphic scores (the canon)
63
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Treatise_(Cardew)" },
64
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Fontana_Mix" },
65
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Aria_(Cage)" },
66
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Concert_for_Piano_and_Orchestra_(Cage)" },
67
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Variations_I" },
68
+
{ type: "link", v: "https://en.wikipedia.org/wiki/December_1952" },
69
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Morton_Feldman" },
70
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Christian_Wolff_(composer)" },
71
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Artikulation_(Ligeti)" },
72
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Metastaseis" },
73
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Sonic_Meditations" },
74
+
{ type: "link", v: "https://en.wikipedia.org/wiki/I_Am_Sitting_in_a_Room" },
75
+
{ type: "link", v: "https://en.wikipedia.org/wiki/In_C" },
76
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Composition_1960" },
77
+
{ type: "link", v: "https://www.moma.org/s/ge/curated_ge/styles/list_ge/artists/1191/" },
78
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Notations_21" },
79
+
80
+
// §8 — Computational / card-sized kin
81
+
{ type: "link", v: "https://aesthetic.computer/prompt" },
82
+
{ type: "link", v: "https://aesthetic.computer/notepat" },
83
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Bitsy" },
84
+
{ type: "link", v: "https://www.lexaloffle.com/pico-8.php" },
85
+
{ type: "link", v: "https://www.dwitter.net/" },
86
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Demoscene" },
87
+
{ type: "link", v: "https://en.wikipedia.org/wiki/Inform_7" },
88
+
89
+
// §9 — Framing text blocks (near top)
90
+
{ type: "text", v: "A drawing that constructs the performance it depicts." },
91
+
{ type: "text", v: "The score teaches you how to play it." },
92
+
{ type: "text", v: "Reproducibility, not algorithmic promotion, explains its viral spread." },
93
+
94
+
// §10 — Whistlegraph (lands on top)
95
+
{ type: "link", v: "https://www.tiktok.com/@whistlegraph" },
96
+
{ type: "link", v: "https://aesthetic.computer/whistlegraph" },
97
+
{ type: "link", v: "https://feralfile.com/artists/whistlegraph" },
98
+
{ type: "link", v: "https://rhizome.org/" },
99
+
{ type: "text", v: "Every mark is a sung syllable. Watching, learning, and performing collapse into a single gesture." },
100
+
];
101
+
102
+
const url = `https://api.are.na/v2/channels/${SLUG}/blocks`;
103
+
104
+
let ok = 0, fail = 0;
105
+
const failures = [];
106
+
107
+
for (let i = 0; i < blocks.length; i++) {
108
+
const b = blocks[i];
109
+
const body = b.type === "text" ? { content: b.v } : { source: b.v };
110
+
try {
111
+
const res = await fetch(url, {
112
+
method: "POST",
113
+
headers: {
114
+
"Authorization": `Bearer ${TOKEN}`,
115
+
"Content-Type": "application/json",
116
+
},
117
+
body: JSON.stringify(body),
118
+
});
119
+
if (res.ok) {
120
+
ok++;
121
+
process.stdout.write(` [${String(i + 1).padStart(2, "0")}/${blocks.length}] ${b.type} ok (${b.v.slice(0, 60)})\n`);
122
+
} else {
123
+
fail++;
124
+
const txt = await res.text();
125
+
failures.push({ i: i + 1, v: b.v, status: res.status, txt: txt.slice(0, 160) });
126
+
process.stdout.write(` [${String(i + 1).padStart(2, "0")}/${blocks.length}] FAIL ${res.status} (${b.v.slice(0, 60)})\n`);
127
+
}
128
+
} catch (e) {
129
+
fail++;
130
+
failures.push({ i: i + 1, v: b.v, err: String(e) });
131
+
process.stdout.write(` [${String(i + 1).padStart(2, "0")}/${blocks.length}] ERROR ${e.message} (${b.v.slice(0, 60)})\n`);
132
+
}
133
+
await new Promise((r) => setTimeout(r, 300));
134
+
}
135
+
136
+
console.log(`\ndone: ${ok} ok, ${fail} fail`);
137
+
if (failures.length) {
138
+
console.log("failures:");
139
+
for (const f of failures) console.log(" ", JSON.stringify(f));
140
+
}
+195
gigs/are-na-annual-vol-8/set-descriptions.mjs
+195
gigs/are-na-annual-vol-8/set-descriptions.mjs
···
1
+
#!/usr/bin/env node
2
+
// Add per-block descriptions to each block in the channel explaining why it's there.
3
+
// Matches by source URL (normalized: lowercased, trailing slash stripped).
4
+
//
5
+
// Usage: ARENA_TOKEN=... node set-descriptions.mjs
6
+
7
+
const TOKEN = process.env.ARENA_TOKEN;
8
+
const SLUG = "the-score-that-teaches-itself";
9
+
if (!TOKEN) { console.error("ARENA_TOKEN missing"); process.exit(1); }
10
+
11
+
const bySource = {
12
+
// §1 — viral/social kin
13
+
"https://en.wikipedia.org/wiki/renegade_(dance)":
14
+
"Jalaiah Harmon's 14-year-old choreography diffused through TikTok without algorithmic push — learners watched it, learned it, performed it, posted it. The dance is the score.",
15
+
"https://en.wikipedia.org/wiki/harlem_shake_(meme)":
16
+
"A 30-second video format so reproducible it became its own genre. The format itself is the score; the content is just the performance.",
17
+
"https://knowyourmeme.com/memes/how-to-draw-squidward":
18
+
"Stepwise drawing memes — the tutorial is the artwork. Score as self-teaching comedy.",
19
+
"https://en.wikipedia.org/wiki/pictogram":
20
+
"Otl Aicher's Munich '72 pictograms — bodily instructions compressed to a single icon.",
21
+
"https://en.wikipedia.org/wiki/isotype_(picture_language)":
22
+
"Otto Neurath's picture language for statistics — a proposal for a universal graphic score.",
23
+
24
+
// §2 — instructional / craft
25
+
"https://en.wikipedia.org/wiki/knitting_abbreviations":
26
+
"A closed symbol set encoding a three-dimensional wearable performance.",
27
+
"https://en.wikipedia.org/wiki/crease_pattern":
28
+
"Origami before folding — the score for a three-dimensional performance on flat paper.",
29
+
"https://langorigami.com":
30
+
"Robert Lang's crease-pattern work — paper-folding as programming.",
31
+
"https://en.wikipedia.org/wiki/sewing_pattern":
32
+
"Flat cut-outs that, executed correctly, produce a body. A garment is an assembled score.",
33
+
"https://en.wikipedia.org/wiki/ikea":
34
+
"Image-only assembly instructions that crossed language barriers by refusing language.",
35
+
"https://en.wikipedia.org/wiki/lego":
36
+
"Instruction booklets where each page is a diff from the previous state — score as rewrite.",
37
+
"https://en.wikipedia.org/wiki/julia_child":
38
+
"Recipes as performance scores: measurement, sequence, expected outcome, tasting as feedback.",
39
+
"https://en.wikipedia.org/wiki/japanese_tea_ceremony":
40
+
"Temae — every gesture choreographed and transmitted by watching, not by diagram.",
41
+
42
+
// §3 — body / movement notation
43
+
"https://en.wikipedia.org/wiki/labanotation":
44
+
"Rudolf Laban's 1928 system — the West's most serious attempt at a staff-notation for the body.",
45
+
"https://en.wikipedia.org/wiki/eshkol%e2%80%93wachman_movement_notation":
46
+
"Noa Eshkol's system: the body as angles and arcs, notated on a grid.",
47
+
"https://en.wikipedia.org/wiki/benesh_movement_notation":
48
+
"The Royal Ballet's notation — entire company choreography on paper.",
49
+
"https://en.wikipedia.org/wiki/kata":
50
+
"Forms passed down by doing. No diagram, but the form itself is the score, memorized in bodies.",
51
+
"https://en.wikipedia.org/wiki/american_football_plays":
52
+
"X's and O's that collapse into eleven bodies moving in time.",
53
+
54
+
// §4 — sport as score
55
+
"https://en.wikipedia.org/wiki/skateboarding":
56
+
"A 'line' is a spatial score — stringing tricks across architecture in a single read.",
57
+
"https://en.wikipedia.org/wiki/dogtown_and_z-boys":
58
+
"Empty pools as performance scores — swimming-pool topography repurposed as notation.",
59
+
"https://en.wikipedia.org/wiki/surf_break":
60
+
"Break diagrams: where to paddle, where to cut, where it closes out. A weather-dependent score.",
61
+
"https://en.wikipedia.org/wiki/yardage_book":
62
+
"A golfer's private notation — terrain, slope, club, intent. Personal score as tool.",
63
+
"https://en.wikipedia.org/wiki/parkour":
64
+
"A traceur's line is a reading of urban architecture through the body.",
65
+
66
+
// §5 — vernacular / folk notation
67
+
"https://en.wikipedia.org/wiki/shape_note":
68
+
"Four shapes, one staff — a self-teaching notation for congregational singing. The score teaches you how to read it.",
69
+
"https://en.wikipedia.org/wiki/sacred_harp":
70
+
"The shape-note repertoire in practice: the tune is sung in solfège before the words — reading IS learning.",
71
+
"https://en.wikipedia.org/wiki/tablature":
72
+
"Finger position, not pitch. The diagram of where the hand goes; the sound is the consequence.",
73
+
"https://en.wikipedia.org/wiki/neume":
74
+
"The earliest Western notation — gestural marks for pitch shape, before pitch was quantized.",
75
+
"https://en.wikipedia.org/wiki/jianpu":
76
+
"Chinese numbered notation — reads like a score, works like a score, isn't staff notation.",
77
+
"https://en.wikipedia.org/wiki/gongche_notation":
78
+
"Traditional Chinese scales encoded in characters — an alphabet of pitch.",
79
+
"https://en.wikipedia.org/wiki/sargam":
80
+
"Seven syllables: Sa Re Ga Ma Pa Dha Ni. A score you sing as you read it.",
81
+
"https://en.wikipedia.org/wiki/gahu":
82
+
"West African drum notation and the oral-diagrammatic pedagogy behind it.",
83
+
84
+
// §6 — Fluxus & event scores
85
+
"https://en.wikipedia.org/wiki/grapefruit_(book)":
86
+
"Yoko Ono's book of instructions — scores so small they fit on a card.",
87
+
"https://en.wikipedia.org/wiki/water_yam":
88
+
"George Brecht's event cards — single-instruction scores the size of a business card.",
89
+
"https://en.wikipedia.org/wiki/dick_higgins":
90
+
"Danger Music and the idea of scores that can't be performed safely.",
91
+
"https://en.wikipedia.org/wiki/an_anthology_of_chance_operations":
92
+
"La Monte Young's 1963 anthology — the origin point of Fluxus event scores.",
93
+
"https://en.wikipedia.org/wiki/alison_knowles":
94
+
"Make A Salad (1962): the salad is the score. The performance is eating.",
95
+
96
+
// §7 — 20th-century graphic scores
97
+
"https://en.wikipedia.org/wiki/treatise_(cardew)":
98
+
"Cardew's 193-page graphic score — no instructions, no interpretation guide. The reader is the score.",
99
+
"https://en.wikipedia.org/wiki/fontana_mix":
100
+
"Cage's transparent overlay system — the first reconfigurable score.",
101
+
"https://en.wikipedia.org/wiki/aria_(cage)":
102
+
"Colored curves for vocal register, shapes for technique. A score you read like a weather map.",
103
+
"https://en.wikipedia.org/wiki/concert_for_piano_and_orchestra_(cage)":
104
+
"Eighty-four score 'solos' to be played in any order, for any duration, in any combination.",
105
+
"https://en.wikipedia.org/wiki/variations_i":
106
+
"Transparent sheets, dots and lines — the score is a configuration, not a sequence.",
107
+
"https://en.wikipedia.org/wiki/december_1952":
108
+
"Earle Brown's single page — rectangles in two dimensions, read in any direction.",
109
+
"https://en.wikipedia.org/wiki/morton_feldman":
110
+
"Feldman's graph pieces — intensity and register on a grid. Pitch becomes a choice, not an instruction.",
111
+
"https://en.wikipedia.org/wiki/christian_wolff_(composer)":
112
+
"Prose instructions as scores — Burdocks, For One, Two or Three People. Text as instrument.",
113
+
"https://en.wikipedia.org/wiki/artikulation_(ligeti)":
114
+
"Wehinger's listening score — drawn AFTER Ligeti's electronic piece, to teach you how to hear it.",
115
+
"https://en.wikipedia.org/wiki/metastaseis":
116
+
"Xenakis drafted string glissandi like architectural sections. The score is geometry.",
117
+
"https://en.wikipedia.org/wiki/sonic_meditations":
118
+
"Pauline Oliveros's text scores for group listening — attention itself as the performance.",
119
+
"https://en.wikipedia.org/wiki/i_am_sitting_in_a_room":
120
+
"Lucier's one paragraph of text — an entire composition.",
121
+
"https://en.wikipedia.org/wiki/in_c":
122
+
"Terry Riley: 53 phrases on one page, any ensemble, 45–90 minutes. A score infinitely rehearsable.",
123
+
"https://en.wikipedia.org/wiki/composition_1960":
124
+
"La Monte Young's text scores, including 'Draw a straight line and follow it.'",
125
+
"https://www.moma.org/s/ge/curated_ge/styles/list_ge/artists/1191":
126
+
"John Cage's 1969 anthology Notations — the graphic-score genre's first self-portrait.",
127
+
"https://en.wikipedia.org/wiki/notations_21":
128
+
"Theresa Sauer's 2009 follow-up — the tradition's next generation.",
129
+
130
+
// §8 — computational / card-sized kin
131
+
"https://aesthetic.computer/prompt":
132
+
"The prompt is the instrument. Type a piece name, play it. A one-line score for the entire AC system.",
133
+
"https://aesthetic.computer/notepat":
134
+
"Keyboard as chromatic instrument. Pressure-sensitive keys as notational markup on QWERTY.",
135
+
"https://en.wikipedia.org/wiki/bitsy":
136
+
"Adam Le Doux's tile-based game tool — the syntax itself is the score.",
137
+
"https://www.lexaloffle.com/pico-8.php":
138
+
"A fantasy console where the 32K / 128×128 constraint produces the form.",
139
+
"https://www.dwitter.net":
140
+
"140 characters of JavaScript → an animation. Source code that fits on a card.",
141
+
"https://en.wikipedia.org/wiki/demoscene":
142
+
"Intros in kilobytes — source code as a compressed performance.",
143
+
"https://en.wikipedia.org/wiki/inform_7":
144
+
"Interactive fiction that reads like plain English. The source IS the play.",
145
+
146
+
// §10 — whistlegraph
147
+
"https://www.tiktok.com/@whistlegraph":
148
+
"2.6 million followers. The distribution channel of a form that teaches itself.",
149
+
"https://aesthetic.computer/whistlegraph":
150
+
"The practice site: draw while singing, the result IS the score. Record, learn, perform.",
151
+
"https://feralfile.com/artists/whistlegraph":
152
+
"Forty-five whistlegraph editions on Feral File, 2023.",
153
+
"https://rhizome.org":
154
+
"Rhizome / New Museum 2022 commission: a 22-minute chalk performance in a public gallery.",
155
+
};
156
+
157
+
const norm = (u) => (u || "").toLowerCase().replace(/\/$/, "");
158
+
159
+
const url = `https://api.are.na/v2/channels/${SLUG}/contents?per=100`;
160
+
const res = await fetch(url, { headers: { Authorization: `Bearer ${TOKEN}` } });
161
+
const data = await res.json();
162
+
const blocks = data.contents;
163
+
console.log(`fetched ${blocks.length} blocks`);
164
+
165
+
let ok = 0, skip = 0, fail = 0;
166
+
const missing = [];
167
+
for (let i = 0; i < blocks.length; i++) {
168
+
const b = blocks[i];
169
+
if (b.class === "Text") { skip++; continue; }
170
+
const key = norm(b.source && b.source.url);
171
+
const desc = bySource[key];
172
+
if (!desc) {
173
+
missing.push({ id: b.id, source: b.source && b.source.url });
174
+
continue;
175
+
}
176
+
const r = await fetch(`https://api.are.na/v2/blocks/${b.id}`, {
177
+
method: "PUT",
178
+
headers: { Authorization: `Bearer ${TOKEN}`, "Content-Type": "application/json" },
179
+
body: JSON.stringify({ description: desc }),
180
+
});
181
+
if (r.ok || r.status === 204) {
182
+
ok++;
183
+
process.stdout.write(` [${String(i + 1).padStart(2, "0")}/${blocks.length}] ok ${b.source.url.slice(0, 65)}\n`);
184
+
} else {
185
+
fail++;
186
+
const t = await r.text();
187
+
process.stdout.write(` [${String(i + 1).padStart(2, "0")}/${blocks.length}] FAIL ${r.status} ${b.source.url}: ${t.slice(0, 120)}\n`);
188
+
}
189
+
await new Promise((r) => setTimeout(r, 300));
190
+
}
191
+
console.log(`\ndone: ${ok} updated, ${skip} text-blocks-skipped, ${fail} failed, ${missing.length} no-mapping`);
192
+
if (missing.length) {
193
+
console.log("no-mapping (need to add to map):");
194
+
for (const m of missing) console.log(" ", m);
195
+
}