Monorepo for Aesthetic.Computer aesthetic.computer
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fix: link @jeffrey to prompt.ac/@jeffrey in all paper title blocks

Changed plain @jeffrey text to \href{https://prompt.ac/@jeffrey}{@jeffrey} across all 21 main papers and all translations. Previously only cards versions had the link (via cards-convert.mjs template).

Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>

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papers/arxiv-ac/ac-da.tex
··· 196 196 \vspace{0.2em} 197 197 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} En mobil-først-køretid for kreativ computing}\par 198 198 \vspace{0.6em} 199 - {\normalsize @jeffrey}\par 199 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 200 200 {\small\color{acgray} Aesthetic.Computer}\par 201 201 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 202 202 \vspace{0.3em}
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papers/arxiv-ac/ac-es.tex
··· 196 196 \vspace{0.2em} 197 197 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Un entorno de ejecución móvil-primero para la computación creativa}\par 198 198 \vspace{0.6em} 199 - {\normalsize @jeffrey}\par 199 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 200 200 {\small\color{acgray} Aesthetic.Computer}\par 201 201 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 202 202 \vspace{0.3em}
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papers/arxiv-ac/ac-zh.tex
··· 197 197 \vspace{0.2em} 198 198 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} 面向创意计算的移动优先运行时}\par 199 199 \vspace{0.6em} 200 - {\normalsize @jeffrey}\par 200 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 201 201 {\small\color{acgray} Aesthetic.Computer}\par 202 202 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 203 203 \vspace{0.3em}
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papers/arxiv-ac/ac.tex
··· 209 209 \vspace{0.2em} 210 210 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} A Mobile-First Runtime for Creative Computing}\par 211 211 \vspace{0.6em} 212 - {\normalsize @jeffrey}\par 212 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 213 213 {\small\color{acgray} Aesthetic.Computer}\par 214 214 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 215 215 \vspace{0.3em}
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papers/arxiv-api/api-da.tex
··· 198 198 \vspace{0.2em} 199 199 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Processing i kernen af Piece-API'en}\par 200 200 \vspace{0.6em} 201 - {\normalsize @jeffrey}\par 201 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 202 202 {\small\color{acgray} Aesthetic.Computer}\par 203 203 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 204 204 \vspace{0.3em}
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papers/arxiv-api/api-es.tex
··· 198 198 \vspace{0.2em} 199 199 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Processing en el núcleo de la API de piezas}\par 200 200 \vspace{0.6em} 201 - {\normalsize @jeffrey}\par 201 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 202 202 {\small\color{acgray} Aesthetic.Computer}\par 203 203 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 204 204 \vspace{0.3em}
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papers/arxiv-api/api-zh.tex
··· 199 199 \vspace{0.2em} 200 200 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Processing在作品API核心中的延续}\par 201 201 \vspace{0.6em} 202 - {\normalsize @jeffrey}\par 202 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 203 203 {\small\color{acgray} Aesthetic.Computer}\par 204 204 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 205 205 \vspace{0.3em}
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papers/arxiv-api/api.tex
··· 211 211 \vspace{0.2em} 212 212 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Processing at the Core of the Piece API}\par 213 213 \vspace{0.6em} 214 - {\normalsize @jeffrey}\par 214 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 215 215 {\small\color{acgray} Aesthetic.Computer}\par 216 216 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 217 217 \vspace{0.3em}
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papers/arxiv-archaeology/archaeology-da.tex
··· 48 48 \vspace{0.2em} 49 49 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Sporing af Aesthetic Computers evolution gennem dets git-historik}\par 50 50 \vspace{0.6em} 51 - {\normalsize @jeffrey}\par 51 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 52 52 {\small\color{acgray} Aesthetic.Computer}\par 53 53 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 54 54 \vspace{0.3em}
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papers/arxiv-archaeology/archaeology-es.tex
··· 68 68 \vspace{0.2em} 69 69 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Trazando la evolución de Aesthetic Computer a través de su historial Git}\par 70 70 \vspace{0.6em} 71 - {\normalsize @jeffrey}\par 71 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 72 72 {\small\color{acgray} Aesthetic.Computer}\par 73 73 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 74 74 \vspace{0.3em}
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papers/arxiv-archaeology/archaeology-zh.tex
··· 123 123 \vspace{0.2em} 124 124 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} 通过 Git 历史追溯 Aesthetic Computer 的演变}\par 125 125 \vspace{0.6em} 126 - {\normalsize @jeffrey}\par 126 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 127 127 {\small\color{acgray} Aesthetic.Computer}\par 128 128 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 129 129 \vspace{0.3em}
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papers/arxiv-archaeology/archaeology.tex
··· 130 130 \vspace{0.2em} 131 131 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Tracing the Evolution of \acrandname{} Through Its Git History}\par 132 132 \vspace{0.6em} 133 - {\normalsize @jeffrey}\par 133 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 134 134 {\small\color{acgray} Aesthetic.Computer}\par 135 135 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 136 136 \vspace{0.3em}
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papers/arxiv-calarts/calarts-da.tex
··· 78 78 \vspace{0.2em} 79 79 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Kunstskolen som operativsystem}\par 80 80 \vspace{0.6em} 81 - {\normalsize @jeffrey}\par 81 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 82 82 {\small\color{acgray} Aesthetic.Computer}\par 83 83 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 84 84 \vspace{0.3em}
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papers/arxiv-calarts/calarts-es.tex
··· 78 78 \vspace{0.2em} 79 79 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} La escuela de arte como sistema operativo}\par 80 80 \vspace{0.6em} 81 - {\normalsize @jeffrey}\par 81 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 82 82 {\small\color{acgray} Aesthetic.Computer}\par 83 83 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 84 84 \vspace{0.3em}
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papers/arxiv-calarts/calarts-zh.tex
··· 80 80 \vspace{0.2em} 81 81 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} 作为操作系统的艺术学院}\par 82 82 \vspace{0.6em} 83 - {\normalsize @jeffrey}\par 83 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 84 84 {\small\color{acgray} Aesthetic.Computer}\par 85 85 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 86 86 \vspace{0.3em}
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papers/arxiv-calarts/calarts.tex
··· 78 78 \vspace{0.2em} 79 79 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Art School as Operating System}\par 80 80 \vspace{0.6em} 81 - {\normalsize @jeffrey}\par 81 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 82 82 {\small\color{acgray} Aesthetic.Computer}\par 83 83 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 84 84 \vspace{0.3em}
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papers/arxiv-complex/complex-da.tex
··· 62 62 \vspace{0.2em} 63 63 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Platformhegemoni, kritik-som-indhold og behovet for anti-milj{\o}er}\par 64 64 \vspace{0.6em} 65 - {\normalsize @jeffrey}\par 65 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 66 66 {\small\color{acgray} Aesthetic.Computer}\par 67 67 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 68 68 \vspace{0.3em}
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papers/arxiv-complex/complex-es.tex
··· 62 62 \vspace{0.2em} 63 63 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Hegemon\'{\i}a de plataformas, cr\'{\i}tica-como-contenido y la necesidad de anti-entornos}\par 64 64 \vspace{0.6em} 65 - {\normalsize @jeffrey}\par 65 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 66 66 {\small\color{acgray} Aesthetic.Computer}\par 67 67 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 68 68 \vspace{0.3em}
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papers/arxiv-complex/complex-zh.tex
··· 63 63 \vspace{0.2em} 64 64 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} 平台霸权、批评即内容与反环境的需要}\par 65 65 \vspace{0.6em} 66 - {\normalsize @jeffrey}\par 66 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 67 67 {\small\color{acgray} Aesthetic.Computer}\par 68 68 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 69 69 \vspace{0.3em}
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papers/arxiv-complex/complex.tex
··· 80 80 \vspace{0.2em} 81 81 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Platform Hegemony, Critique-as-Content, and the Need for Anti-Environments}\par 82 82 \vspace{0.6em} 83 - {\normalsize @jeffrey}\par 83 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 84 84 {\small\color{acgray} Aesthetic.Computer}\par 85 85 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 86 86 \vspace{0.3em}
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papers/arxiv-dead-ends/dead-ends-da.tex
··· 49 49 \vspace{0.3em} 50 50 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} En evolutionær morfologi af Aesthetic Computer (2021--2026)}\par 51 51 \vspace{0.6em} 52 - {\normalsize @jeffrey}\par 52 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 53 53 {\small\color{acgray} Aesthetic.Computer}\par 54 54 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 55 55 \vspace{0.3em}
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papers/arxiv-dead-ends/dead-ends-es.tex
··· 67 67 \vspace{0.3em} 68 68 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Una morfología evolutiva de Aesthetic Computer (2021--2026)}\par 69 69 \vspace{0.6em} 70 - {\normalsize @jeffrey}\par 70 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 71 71 {\small\color{acgray} Aesthetic.Computer}\par 72 72 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 73 73 \vspace{0.3em}
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papers/arxiv-dead-ends/dead-ends-zh.tex
··· 70 70 \vspace{0.3em} 71 71 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Aesthetic Computer的进化形态学(2021--2026)}\par 72 72 \vspace{0.6em} 73 - {\normalsize @jeffrey}\par 73 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 74 74 {\small\color{acgray} Aesthetic.Computer}\par 75 75 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 76 76 \vspace{0.3em}
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papers/arxiv-dead-ends/dead-ends.tex
··· 82 82 \vspace{0.3em} 83 83 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} An Evolutionary Morphology of \acrandname{} (2021--2026)}\par 84 84 \vspace{0.6em} 85 - {\normalsize @jeffrey}\par 85 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 86 86 {\small\color{acgray} Aesthetic.Computer}\par 87 87 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 88 88 \vspace{0.3em}
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papers/arxiv-diversity/diversity-da.tex
··· 48 48 \vspace{0.2em} 49 49 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Aesthetic Computer artikelserien, marts 2026}\par 50 50 \vspace{0.6em} 51 - {\normalsize @jeffrey}\par 51 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 52 52 {\small\color{acgray} Aesthetic.Computer}\par 53 53 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 54 54 \vspace{0.3em}
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papers/arxiv-diversity/diversity-es.tex
··· 69 69 \vspace{0.2em} 70 70 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Serie de artículos de Aesthetic Computer, marzo 2026}\par 71 71 \vspace{0.6em} 72 - {\normalsize @jeffrey}\par 72 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 73 73 {\small\color{acgray} Aesthetic.Computer}\par 74 74 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 75 75 \vspace{0.3em}
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papers/arxiv-diversity/diversity-zh.tex
··· 125 125 \vspace{0.2em} 126 126 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Aesthetic Computer 论文系列,2026年3月}\par 127 127 \vspace{0.6em} 128 - {\normalsize @jeffrey}\par 128 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 129 129 {\small\color{acgray} Aesthetic.Computer}\par 130 130 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 131 131 \vspace{0.3em}
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papers/arxiv-diversity/diversity.tex
··· 132 132 \vspace{0.2em} 133 133 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} \acrandname{} Paper Series, March 2026}\par 134 134 \vspace{0.6em} 135 - {\normalsize @jeffrey}\par 135 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 136 136 {\small\color{acgray} Aesthetic.Computer}\par 137 137 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 138 138 \vspace{0.3em}
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papers/arxiv-folk-songs/folk-songs-da.tex
··· 48 48 \vspace{0.3em} 49 49 {\aclight\fontsize{10pt}{12pt}\selectfont\color{acpink} Mundtlig tradition møder browsertastaturet}\par 50 50 \vspace{0.8em} 51 - {\normalsize @jeffrey}\par 51 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 52 52 {\small\color{acgray} Aesthetic.Computer}\par 53 53 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 54 54 \vspace{0.3em}
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papers/arxiv-folk-songs/folk-songs-es.tex
··· 48 48 \vspace{0.3em} 49 49 {\aclight\fontsize{10pt}{12pt}\selectfont\color{acpink} La Tradición Oral Encuentra el Teclado del Navegador}\par 50 50 \vspace{0.8em} 51 - {\normalsize @jeffrey}\par 51 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 52 52 {\small\color{acgray} Aesthetic.Computer}\par 53 53 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 54 54 \vspace{0.3em}
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papers/arxiv-folk-songs/folk-songs-zh.tex
··· 52 52 \vspace{0.3em} 53 53 {\aclight\fontsize{10pt}{12pt}\selectfont\color{acpink} 口头传统遇上浏览器键盘}\par 54 54 \vspace{0.8em} 55 - {\normalsize @jeffrey}\par 55 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 56 56 {\small\color{acgray} Aesthetic.Computer}\par 57 57 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 58 58 \vspace{0.3em}
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papers/arxiv-folk-songs/folk-songs.tex
··· 96 96 \vspace{0.2em} 97 97 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Oral Tradition Meets the Browser Keyboard}\par 98 98 \vspace{0.6em} 99 - {\normalsize @jeffrey}\par 99 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 100 100 {\small\color{acgray} Aesthetic.Computer}\par 101 101 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 102 102 \vspace{0.3em}
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papers/arxiv-futures/futures-da.tex
··· 119 119 \vspace{0.3em} 120 120 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Overskydende hardware, rumlige instrumenter og det lange spil med et personligt værktøj}\par 121 121 \vspace{0.6em} 122 - {\normalsize @jeffrey}\par 122 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 123 123 {\small\color{acgray} Aesthetic.Computer}\par 124 124 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 125 125 \vspace{0.3em}
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papers/arxiv-futures/futures-es.tex
··· 119 119 \vspace{0.3em} 120 120 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Hardware excedente, instrumentos espaciales y el juego largo de una herramienta personal}\par 121 121 \vspace{0.6em} 122 - {\normalsize @jeffrey}\par 122 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 123 123 {\small\color{acgray} Aesthetic.Computer}\par 124 124 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 125 125 \vspace{0.3em}
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papers/arxiv-futures/futures-zh.tex
··· 121 121 \vspace{0.3em} 122 122 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 剩余硬件、空间乐器与个人工具的长期博弈}\par 123 123 \vspace{0.6em} 124 - {\normalsize @jeffrey}\par 124 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 125 125 {\small\color{acgray} Aesthetic.Computer}\par 126 126 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 127 127 \vspace{0.3em}
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papers/arxiv-futures/futures.tex
··· 119 119 \vspace{0.3em} 120 120 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Surplus Hardware, Spatial Instruments, and the Long Game of a Personal Tool}\par 121 121 \vspace{0.6em} 122 - {\normalsize @jeffrey}\par 122 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 123 123 {\small\color{acgray} Aesthetic.Computer}\par 124 124 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 125 125 \vspace{0.3em}
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papers/arxiv-goodiepal/goodiepal-da.tex
··· 69 69 \vspace{0.3em} 70 70 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Musik for alternativ intelligens, instrument-først-design og Pals-modellen}\par 71 71 \vspace{0.6em} 72 - {\normalsize @jeffrey}\par 72 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 73 73 {\small\color{acgray} Aesthetic.Computer}\par 74 74 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 75 75 \vspace{0.3em}
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papers/arxiv-goodiepal/goodiepal-es.tex
··· 67 67 \vspace{0.3em} 68 68 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Música para inteligencia alternativa, diseño instrumento-primero y el modelo Pals}\par 69 69 \vspace{0.6em} 70 - {\normalsize @jeffrey}\par 70 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 71 71 {\small\color{acgray} Aesthetic.Computer}\par 72 72 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 73 73 \vspace{0.3em}
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papers/arxiv-goodiepal/goodiepal-zh.tex
··· 74 74 \vspace{0.3em} 75 75 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 替代智能音乐、乐器优先设计与 Pals 模型}\par 76 76 \vspace{0.6em} 77 - {\normalsize @jeffrey}\par 77 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 78 78 {\small\color{acgray} Aesthetic.Computer}\par 79 79 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 80 80 \vspace{0.3em}
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papers/arxiv-goodiepal/goodiepal.tex
··· 82 82 \vspace{0.3em} 83 83 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Music for Alternative Intelligence, Instrument-First Design, and the Pals Model}\par 84 84 \vspace{0.6em} 85 - {\normalsize @jeffrey}\par 85 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 86 86 {\small\color{acgray} Aesthetic.Computer}\par 87 87 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 88 88 \vspace{0.3em}
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papers/arxiv-identity/identity-da.tex
··· 160 160 \vspace{0.3em} 161 161 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} ATProto OAuth, handle-verifikation og portabel kreativ identitet}\par 162 162 \vspace{0.6em} 163 - {\normalsize @jeffrey}\par 163 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 164 164 {\small\color{acgray} Aesthetic.Computer}\par 165 165 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 166 166 \vspace{0.3em}
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papers/arxiv-identity/identity-es.tex
··· 160 160 \vspace{0.3em} 161 161 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} ATProto OAuth, verificación de handles e identidad creativa portátil}\par 162 162 \vspace{0.6em} 163 - {\normalsize @jeffrey}\par 163 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 164 164 {\small\color{acgray} Aesthetic.Computer}\par 165 165 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 166 166 \vspace{0.3em}
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papers/arxiv-identity/identity-zh.tex
··· 175 175 \vspace{0.3em} 176 176 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} ATProto OAuth、Handle验证与可移植创意身份}\par 177 177 \vspace{0.6em} 178 - {\normalsize @jeffrey}\par 178 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 179 179 {\small\color{acgray} Aesthetic.Computer}\par 180 180 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 181 181 \vspace{0.3em}
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papers/arxiv-identity/identity.tex
··· 174 174 \vspace{0.3em} 175 175 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} ATProto OAuth, Handle Verification, and Portable Creative Identity}\par 176 176 \vspace{0.6em} 177 - {\normalsize @jeffrey}\par 177 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 178 178 {\small\color{acgray} Aesthetic.Computer}\par 179 179 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 180 180 \vspace{0.3em}
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papers/arxiv-kidlisp-cards/kidlisp-cards-da.tex
··· 186 186 \vspace{0.2em} 187 187 {\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} Programmer der kan v\ae re p\aa\ et kort}\par 188 188 \vspace{0.6em} 189 - {\normalsize @jeffrey}\par 189 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 190 190 {\small\color{acgray} Aesthetic\acdot Computer}\par 191 191 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 192 192 \vspace{0.3em}
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papers/arxiv-kidlisp-cards/kidlisp-cards-es.tex
··· 186 186 \vspace{0.2em} 187 187 {\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} Programas que caben en una tarjeta}\par 188 188 \vspace{0.6em} 189 - {\normalsize @jeffrey}\par 189 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 190 190 {\small\color{acgray} Aesthetic\acdot Computer}\par 191 191 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 192 192 \vspace{0.3em}
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papers/arxiv-kidlisp-cards/kidlisp-cards-zh.tex
··· 188 188 \vspace{0.2em} 189 189 {\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} 一张卡片装得下的程序}\par 190 190 \vspace{0.6em} 191 - {\normalsize @jeffrey}\par 191 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 192 192 {\small\color{acgray} Aesthetic\acdot Computer}\par 193 193 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 194 194 \vspace{0.3em}
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papers/arxiv-kidlisp-cards/kidlisp-cards.tex
··· 198 198 \vspace{0.2em} 199 199 {\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} Programs That Fit on a Card}\par 200 200 \vspace{0.6em} 201 - {\normalsize @jeffrey}\par 201 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 202 202 {\small\color{acgray} Aesthetic.Computer}\par 203 203 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 204 204 \vspace{0.3em}
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papers/arxiv-kidlisp-reference/kidlisp-reference-da.tex
··· 78 78 \vspace{0.3em} 79 79 {\kidlispfont\fontsize{9pt}{11pt}\selectfont\color{acgray} Syntaks, semantik, timing, farve og \texttt{\$}-kode kompositionssystemet}\par 80 80 \vspace{0.6em} 81 - {\normalsize @jeffrey}\par 81 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 82 82 {\small\color{acgray} Aesthetic.Computer}\par 83 83 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 84 84 \vspace{0.3em}
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papers/arxiv-kidlisp-reference/kidlisp-reference-es.tex
··· 136 136 \vspace{0.3em} 137 137 {\kidlispfont\fontsize{9pt}{11pt}\selectfont\color{acgray} Sintaxis, semántica, temporización, color y el sistema de composición por \texttt{\$}-códigos}\par 138 138 \vspace{0.6em} 139 - {\normalsize @jeffrey}\par 139 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 140 140 {\small\color{acgray} Aesthetic.Computer}\par 141 141 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 142 142 \vspace{0.3em}
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papers/arxiv-kidlisp-reference/kidlisp-reference-zh.tex
··· 144 144 \vspace{0.3em} 145 145 {\kidlispfont\fontsize{9pt}{11pt}\selectfont\color{acgray} 语法、语义、时序、色彩与 \texttt{\$}-Code 组合系统}\par 146 146 \vspace{0.6em} 147 - {\normalsize @jeffrey}\par 147 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 148 148 {\small\color{acgray} Aesthetic.Computer}\par 149 149 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 150 150 \vspace{0.3em}
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papers/arxiv-kidlisp-reference/kidlisp-reference.tex
··· 152 152 \vspace{0.3em} 153 153 {\kidlispfont\fontsize{9pt}{11pt}\selectfont\color{acgray} Syntax, Semantics, Timing, Color, and the \texttt{\$}-Code Composition System}\par 154 154 \vspace{0.6em} 155 - {\normalsize @jeffrey}\par 155 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 156 156 {\small\color{acgray} Aesthetic.Computer}\par 157 157 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 158 158 \vspace{0.3em}
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papers/arxiv-kidlisp/kidlisp-da.tex
··· 188 188 \vspace{0.2em} 189 189 {\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} En minimal Lisp til generativ kunst}\par 190 190 \vspace{0.6em} 191 - {\normalsize @jeffrey}\par 191 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 192 192 {\small\color{acgray} Aesthetic.Computer}\par 193 193 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 194 194 \vspace{0.3em}
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papers/arxiv-kidlisp/kidlisp-es.tex
··· 188 188 \vspace{0.2em} 189 189 {\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} Un Lisp mínimo para arte generativo}\par 190 190 \vspace{0.6em} 191 - {\normalsize @jeffrey}\par 191 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 192 192 {\small\color{acgray} Aesthetic.Computer}\par 193 193 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 194 194 \vspace{0.3em}
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papers/arxiv-kidlisp/kidlisp-zh.tex
··· 182 182 \vspace{0.2em} 183 183 {\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} 面向生成艺术的极简Lisp}\par 184 184 \vspace{0.6em} 185 - {\normalsize @jeffrey}\par 185 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 186 186 {\small\color{acgray} Aesthetic.Computer}\par 187 187 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 188 188 \vspace{0.3em}
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papers/arxiv-kidlisp/kidlisp.tex
··· 201 201 \vspace{0.2em} 202 202 {\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} A Minimal Lisp for Generative Art}\par 203 203 \vspace{0.6em} 204 - {\normalsize @jeffrey}\par 204 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 205 205 {\small\color{acgray} Aesthetic.Computer}\par 206 206 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 207 207 \vspace{0.3em}
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papers/arxiv-network-audit/network-audit-da.tex
··· 49 49 \vspace{0.3em} 50 50 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} En selvevaluering af platformidentitet, geografi og kreativt output}\par 51 51 \vspace{0.6em} 52 - {\normalsize @jeffrey}\par 52 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 53 53 {\small\color{acgray} Aesthetic.Computer}\par 54 54 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 55 55 \vspace{0.3em}
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papers/arxiv-network-audit/network-audit-es.tex
··· 67 67 \vspace{0.3em} 68 68 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Una autoevaluación de identidad, geografía y producción creativa de la plataforma}\par 69 69 \vspace{0.6em} 70 - {\normalsize @jeffrey}\par 70 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 71 71 {\small\color{acgray} Aesthetic.Computer}\par 72 72 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 73 73 \vspace{0.3em}
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papers/arxiv-network-audit/network-audit-zh.tex
··· 74 74 \vspace{0.3em} 75 75 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 平台身份、地理分布与创意产出的自我评估}\par 76 76 \vspace{0.6em} 77 - {\normalsize @jeffrey}\par 77 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 78 78 {\small\color{acgray} Aesthetic.Computer}\par 79 79 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 80 80 \vspace{0.3em}
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papers/arxiv-network-audit/network-audit.tex
··· 82 82 \vspace{0.3em} 83 83 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} A Self-Assessment of Platform Identity, Geography, and Creative Output}\par 84 84 \vspace{0.6em} 85 - {\normalsize @jeffrey}\par 85 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 86 86 {\small\color{acgray} Aesthetic.Computer}\par 87 87 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 88 88 \vspace{0.3em}
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papers/arxiv-notepat/notepat-da.tex
··· 44 44 \vspace{0.2em} 45 45 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Fra tastaturlegetøj til systemets hoveddør}\par 46 46 \vspace{0.6em} 47 - {\normalsize @jeffrey}\par 47 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 48 48 {\small\color{acgray} Aesthetic.Computer}\par 49 49 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 50 50 \vspace{0.3em}
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papers/arxiv-notepat/notepat-es.tex
··· 64 64 \vspace{0.2em} 65 65 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} De juguete de teclado a puerta principal del sistema}\par 66 66 \vspace{0.6em} 67 - {\normalsize @jeffrey}\par 67 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 68 68 {\small\color{acgray} Aesthetic.Computer}\par 69 69 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 70 70 \vspace{0.3em}
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papers/arxiv-notepat/notepat-zh.tex
··· 113 113 \vspace{0.2em} 114 114 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} 从键盘玩具到系统前门}\par 115 115 \vspace{0.6em} 116 - {\normalsize @jeffrey}\par 116 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 117 117 {\small\color{acgray} Aesthetic.Computer}\par 118 118 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 119 119 \vspace{0.3em}
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papers/arxiv-notepat/notepat.tex
··· 121 121 \vspace{0.2em} 122 122 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} From Keyboard Toy to System Front Door}\par 123 123 \vspace{0.6em} 124 - {\normalsize @jeffrey}\par 124 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 125 125 {\small\color{acgray} Aesthetic.Computer}\par 126 126 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 127 127 \vspace{0.3em}
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papers/arxiv-os/os-da.tex
··· 90 90 \vspace{0.3em} 91 91 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Overskudshardware, dyb personalisering og post-OLPC-instrumentet}\par 92 92 \vspace{0.6em} 93 - {\normalsize @jeffrey}\par 93 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 94 94 {\small\color{acgray} Aesthetic.Computer}\par 95 95 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 96 96 \vspace{0.3em}
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papers/arxiv-os/os-es.tex
··· 86 86 \vspace{0.3em} 87 87 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Hardware excedente, personalización profunda y el instrumento post-OLPC}\par 88 88 \vspace{0.6em} 89 - {\normalsize @jeffrey}\par 89 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 90 90 {\small\color{acgray} Aesthetic.Computer}\par 91 91 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 92 92 \vspace{0.3em}
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papers/arxiv-os/os-zh.tex
··· 165 165 \vspace{0.3em} 166 166 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 剩余硬件、深度个性化与后 OLPC 乐器}\par 167 167 \vspace{0.6em} 168 - {\normalsize @jeffrey}\par 168 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 169 169 {\small\color{acgray} Aesthetic.Computer}\par 170 170 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 171 171 \vspace{0.3em}
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papers/arxiv-os/os.tex
··· 173 173 \vspace{0.3em} 174 174 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Surplus Hardware, Deep Personalization, and the Post-OLPC Instrument}\par 175 175 \vspace{0.6em} 176 - {\normalsize @jeffrey}\par 176 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 177 177 {\small\color{acgray} Aesthetic.Computer}\par 178 178 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 179 179 \vspace{0.3em}
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papers/arxiv-pieces/pieces-da.tex
··· 66 66 \vspace{0.2em} 67 67 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Piecet som enhed for kreativ kognition i \ac{}}\par 68 68 \vspace{0.6em} 69 - {\normalsize @jeffrey}\par 69 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 70 70 {\small\color{acgray} Aesthetic.Computer}\par 71 71 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 72 72 \vspace{0.3em}
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papers/arxiv-pieces/pieces-es.tex
··· 66 66 \vspace{0.2em} 67 67 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} La pieza como unidad de cognición creativa en \ac{}}\par 68 68 \vspace{0.6em} 69 - {\normalsize @jeffrey}\par 69 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 70 70 {\small\color{acgray} Aesthetic.Computer}\par 71 71 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 72 72 \vspace{0.3em}
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papers/arxiv-pieces/pieces-zh.tex
··· 114 114 \vspace{0.2em} 115 115 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} 作品作为 \ac{} 中创意认知的单位}\par 116 116 \vspace{0.6em} 117 - {\normalsize @jeffrey}\par 117 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 118 118 {\small\color{acgray} Aesthetic.Computer}\par 119 119 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 120 120 \vspace{0.3em}
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papers/arxiv-pieces/pieces.tex
··· 122 122 \vspace{0.2em} 123 123 {\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} The Piece as a Unit of Creative Cognition in \ac{}}\par 124 124 \vspace{0.6em} 125 - {\normalsize @jeffrey}\par 125 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 126 126 {\small\color{acgray} Aesthetic.Computer}\par 127 127 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 128 128 \vspace{0.3em}
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papers/arxiv-plork/plork-da.tex
··· 173 173 \vspace{0.3em} 174 174 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Overskudshardware, bare-metal-syntese og 240-millioner-maskiners orkester}\par 175 175 \vspace{0.6em} 176 - {\normalsize @jeffrey}\par 176 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 177 177 {\small\color{acgray} Aesthetic.Computer}\par 178 178 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 179 179 \vspace{0.3em}
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papers/arxiv-plork/plork-es.tex
··· 173 173 \vspace{0.3em} 174 174 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Hardware excedente, s\'{\i}ntesis bare-metal y la orquesta de 240 millones de m\'{a}quinas}\par 175 175 \vspace{0.6em} 176 - {\normalsize @jeffrey}\par 176 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 177 177 {\small\color{acgray} Aesthetic.Computer}\par 178 178 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 179 179 \vspace{0.3em}
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papers/arxiv-plork/plork-ja.tex
··· 175 175 \vspace{0.3em} 176 176 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 余剰ハードウェア、ベアメタル合成、そして2億4千万台のオーケストラ}\par 177 177 \vspace{0.6em} 178 - {\normalsize @jeffrey}\par 178 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 179 179 {\small\color{acgray} Aesthetic.Computer}\par 180 180 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 181 181 \vspace{0.3em}
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papers/arxiv-plork/plork-zh.tex
··· 174 174 \vspace{0.3em} 175 175 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 剩余硬件、裸金属合成与两亿四千万台机器的管弦乐团}\par 176 176 \vspace{0.6em} 177 - {\normalsize @jeffrey}\par 177 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 178 178 {\small\color{acgray} Aesthetic.Computer}\par 179 179 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 180 180 \vspace{0.3em}
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papers/arxiv-plork/plork.tex
··· 173 173 \vspace{0.3em} 174 174 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Surplus Hardware, Bare-Metal Synthesis, and the 240-Million-Machine Orchestra}\par 175 175 \vspace{0.6em} 176 - {\normalsize @jeffrey}\par 176 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 177 177 {\small\color{acgray} Aesthetic.Computer}\par 178 178 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 179 179 \vspace{0.3em}
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papers/arxiv-sustainability/sustainability-da.tex
··· 48 48 \vspace{0.3em} 49 49 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Et komparativt studie af 28 værktøjsforfattere, fra Perl til TempleOS til Aesthetic Computer}\par 50 50 \vspace{0.6em} 51 - {\normalsize @jeffrey}\par 51 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 52 52 {\small\color{acgray} Aesthetic.Computer}\par 53 53 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 54 54 \vspace{0.3em}
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papers/arxiv-sustainability/sustainability-es.tex
··· 66 66 \vspace{0.3em} 67 67 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Un estudio comparativo de 28 autores de herramientas, de Perl a TempleOS a Aesthetic Computer}\par 68 68 \vspace{0.6em} 69 - {\normalsize @jeffrey}\par 69 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 70 70 {\small\color{acgray} Aesthetic.Computer}\par 71 71 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 72 72 \vspace{0.3em}
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papers/arxiv-sustainability/sustainability-zh.tex
··· 73 73 \vspace{0.3em} 74 74 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 28位工具作者的比较研究,从 Perl 到 TempleOS 到 Aesthetic Computer}\par 75 75 \vspace{0.6em} 76 - {\normalsize @jeffrey}\par 76 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 77 77 {\small\color{acgray} Aesthetic.Computer}\par 78 78 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 79 79 \vspace{0.3em}
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papers/arxiv-sustainability/sustainability.tex
··· 81 81 \vspace{0.3em} 82 82 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} A Comparative Study of 28 Tool Authors, from Perl to TempleOS to \acrandname{}}\par 83 83 \vspace{0.6em} 84 - {\normalsize @jeffrey}\par 84 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 85 85 {\small\color{acgray} Aesthetic.Computer}\par 86 86 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 87 87 \vspace{0.3em}
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papers/arxiv-ucla-arts/ucla-arts-da.tex
··· 83 83 \vspace{0.3em} 84 84 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Fra kunstafdelingen i 1939 til \acrandname{} i Broad Art Center}\par 85 85 \vspace{0.6em} 86 - {\normalsize @jeffrey}\par 86 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 87 87 {\small\color{acgray} Aesthetic.Computer}\par 88 88 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 89 89 \vspace{0.3em}
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papers/arxiv-ucla-arts/ucla-arts-es.tex
··· 83 83 \vspace{0.3em} 84 84 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Desde el Departamento de Arte de 1939 hasta \acrandname{} en el Broad Art Center}\par 85 85 \vspace{0.6em} 86 - {\normalsize @jeffrey}\par 86 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 87 87 {\small\color{acgray} Aesthetic.Computer}\par 88 88 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 89 89 \vspace{0.3em}
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papers/arxiv-ucla-arts/ucla-arts-zh.tex
··· 86 86 \vspace{0.3em} 87 87 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 从 1939 年艺术系到 Broad Art Center 里的 \acrandname{}}\par 88 88 \vspace{0.6em} 89 - {\normalsize @jeffrey}\par 89 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 90 90 {\small\color{acgray} Aesthetic.Computer}\par 91 91 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 92 92 \vspace{0.3em}
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papers/arxiv-ucla-arts/ucla-arts.tex
··· 83 83 \vspace{0.3em} 84 84 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} From the 1939 Art Department to \acrandname{} in the Broad Art Center}\par 85 85 \vspace{0.6em} 86 - {\normalsize @jeffrey}\par 86 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 87 87 {\small\color{acgray} Aesthetic.Computer}\par 88 88 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 89 89 \vspace{0.3em}
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papers/arxiv-whistlegraph/whistlegraph-da.tex
··· 49 49 \vspace{0.3em} 50 50 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Fra en hytte i Ashland til 2,6 millioner følgere til Aesthetic Computer}\par 51 51 \vspace{0.6em} 52 - {\normalsize @jeffrey}\par 52 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 53 53 {\small\color{acgray} Aesthetic.Computer}\par 54 54 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 55 55 \vspace{0.3em}
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papers/arxiv-whistlegraph/whistlegraph-es.tex
··· 67 67 \vspace{0.3em} 68 68 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} De una cabaña en Ashland a 2,6 millones de seguidores a Aesthetic Computer}\par 69 69 \vspace{0.6em} 70 - {\normalsize @jeffrey}\par 70 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 71 71 {\small\color{acgray} Aesthetic.Computer}\par 72 72 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 73 73 \vspace{0.3em}
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papers/arxiv-whistlegraph/whistlegraph-zh.tex
··· 74 74 \vspace{0.3em} 75 75 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 从 Ashland 小木屋到260万粉丝再到 Aesthetic Computer}\par 76 76 \vspace{0.6em} 77 - {\normalsize @jeffrey}\par 77 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 78 78 {\small\color{acgray} Aesthetic.Computer}\par 79 79 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 80 80 \vspace{0.3em}
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papers/arxiv-whistlegraph/whistlegraph.tex
··· 82 82 \vspace{0.3em} 83 83 {\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} From a Cabin in Ashland to 2.6 Million Followers to \acrandname{}}\par 84 84 \vspace{0.6em} 85 - {\normalsize @jeffrey}\par 85 + {\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par 86 86 {\small\color{acgray} Aesthetic.Computer}\par 87 87 {\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par 88 88 \vspace{0.3em}