Monorepo for Aesthetic.Computer
aesthetic.computer
fix: link @jeffrey to prompt.ac/@jeffrey in all paper title blocks
Changed plain @jeffrey text to \href{https://prompt.ac/@jeffrey}{@jeffrey} across all 21 main papers and all translations. Previously only cards versions had the link (via cards-convert.mjs template).
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
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papers/arxiv-ac/ac-da.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} En mobil-først-køretid for kreativ computing}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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papers/arxiv-ac/ac-es.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Un entorno de ejecución móvil-primero para la computación creativa}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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papers/arxiv-ac/ac-zh.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} 面向创意计算的移动优先运行时}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-ac/ac.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} A Mobile-First Runtime for Creative Computing}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-api/api-da.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Processing i kernen af Piece-API'en}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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papers/arxiv-api/api-es.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Processing en el núcleo de la API de piezas}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-api/api-zh.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Processing在作品API核心中的延续}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-api/api.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Processing at the Core of the Piece API}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-archaeology/archaeology-da.tex
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\vspace{0.2em}
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Sporing af Aesthetic Computers evolution gennem dets git-historik}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-archaeology/archaeology-es.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Trazando la evolución de Aesthetic Computer a través de su historial Git}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-archaeology/archaeology-zh.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} 通过 Git 历史追溯 Aesthetic Computer 的演变}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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papers/arxiv-archaeology/archaeology.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Tracing the Evolution of \acrandname{} Through Its Git History}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-calarts/calarts-da.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Kunstskolen som operativsystem}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-calarts/calarts-es.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} La escuela de arte como sistema operativo}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-calarts/calarts-zh.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} 作为操作系统的艺术学院}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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papers/arxiv-calarts/calarts.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Art School as Operating System}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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papers/arxiv-complex/complex-da.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Platformhegemoni, kritik-som-indhold og behovet for anti-milj{\o}er}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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papers/arxiv-complex/complex-es.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Hegemon\'{\i}a de plataformas, cr\'{\i}tica-como-contenido y la necesidad de anti-entornos}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-complex/complex-zh.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} 平台霸权、批评即内容与反环境的需要}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-complex/complex.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Platform Hegemony, Critique-as-Content, and the Need for Anti-Environments}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-dead-ends/dead-ends-da.tex
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} En evolutionær morfologi af Aesthetic Computer (2021--2026)}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-dead-ends/dead-ends-es.tex
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\vspace{0.3em}
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Una morfología evolutiva de Aesthetic Computer (2021--2026)}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Aesthetic Computer的进化形态学（2021--2026）}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} An Evolutionary Morphology of \acrandname{} (2021--2026)}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-diversity/diversity-da.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Aesthetic Computer artikelserien, marts 2026}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-diversity/diversity-es.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Serie de artículos de Aesthetic Computer, marzo 2026}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-diversity/diversity-zh.tex
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Aesthetic Computer 论文系列，2026年3月}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} \acrandname{} Paper Series, March 2026}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}
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papers/arxiv-folk-songs/folk-songs-da.tex
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{\aclight\fontsize{10pt}{12pt}\selectfont\color{acpink} Mundtlig tradition møder browsertastaturet}\par
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\vspace{0.8em}
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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papers/arxiv-folk-songs/folk-songs-es.tex
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\vspace{0.3em}
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{\aclight\fontsize{10pt}{12pt}\selectfont\color{acpink} La Tradición Oral Encuentra el Teclado del Navegador}\par
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{\normalsize @jeffrey}\par
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{\normalsize\href{https://prompt.ac/@jeffrey}{@jeffrey}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\aclight\fontsize{10pt}{12pt}\selectfont\color{acpink} 口头传统遇上浏览器键盘}\par
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Oral Tradition Meets the Browser Keyboard}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Overskydende hardware, rumlige instrumenter og det lange spil med et personligt værktøj}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Hardware excedente, instrumentos espaciales y el juego largo de una herramienta personal}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 剩余硬件、空间乐器与个人工具的长期博弈}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Surplus Hardware, Spatial Instruments, and the Long Game of a Personal Tool}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Musik for alternativ intelligens, instrument-først-design og Pals-modellen}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Música para inteligencia alternativa, diseño instrumento-primero y el modelo Pals}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 替代智能音乐、乐器优先设计与 Pals 模型}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Music for Alternative Intelligence, Instrument-First Design, and the Pals Model}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} ATProto OAuth, handle-verifikation og portabel kreativ identitet}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} ATProto OAuth, verificación de handles e identidad creativa portátil}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} ATProto OAuth、Handle验证与可移植创意身份}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} ATProto OAuth, Handle Verification, and Portable Creative Identity}\par
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{\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} Programmer der kan v\ae re p\aa\ et kort}\par
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{\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} Programas que caben en una tarjeta}\par
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{\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} 一张卡片装得下的程序}\par
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{\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} Programs That Fit on a Card}\par
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{\kidlispfont\fontsize{9pt}{11pt}\selectfont\color{acgray} Syntaks, semantik, timing, farve og \texttt{\$}-kode kompositionssystemet}\par
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{\kidlispfont\fontsize{9pt}{11pt}\selectfont\color{acgray} Sintaxis, semántica, temporización, color y el sistema de composición por \texttt{\$}-códigos}\par
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{\kidlispfont\fontsize{9pt}{11pt}\selectfont\color{acgray} 语法、语义、时序、色彩与 \texttt{\$}-Code 组合系统}\par
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{\kidlispfont\fontsize{9pt}{11pt}\selectfont\color{acgray} Syntax, Semantics, Timing, Color, and the \texttt{\$}-Code Composition System}\par
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{\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} En minimal Lisp til generativ kunst}\par
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{\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} Un Lisp mínimo para arte generativo}\par
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{\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} 面向生成艺术的极简Lisp}\par
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{\kidlispfont\fontsize{11pt}{13pt}\selectfont\color{klbrand} A Minimal Lisp for Generative Art}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} En selvevaluering af platformidentitet, geografi og kreativt output}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Una autoevaluación de identidad, geografía y producción creativa de la plataforma}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 平台身份、地理分布与创意产出的自我评估}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} A Self-Assessment of Platform Identity, Geography, and Creative Output}\par
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Fra tastaturlegetøj til systemets hoveddør}\par
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} De juguete de teclado a puerta principal del sistema}\par
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} 从键盘玩具到系统前门}\par
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} From Keyboard Toy to System Front Door}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Overskudshardware, dyb personalisering og post-OLPC-instrumentet}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Hardware excedente, personalización profunda y el instrumento post-OLPC}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 剩余硬件、深度个性化与后 OLPC 乐器}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Surplus Hardware, Deep Personalization, and the Post-OLPC Instrument}\par
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} Piecet som enhed for kreativ kognition i \ac{}}\par
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} La pieza como unidad de cognición creativa en \ac{}}\par
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{\aclight\fontsize{11pt}{13pt}\selectfont\color{acpink} The Piece as a Unit of Creative Cognition in \ac{}}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Overskudshardware, bare-metal-syntese og 240-millioner-maskiners orkester}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Hardware excedente, s\'{\i}ntesis bare-metal y la orquesta de 240 millones de m\'{a}quinas}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 余剰ハードウェア、ベアメタル合成、そして2億4千万台のオーケストラ}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 剩余硬件、裸金属合成与两亿四千万台机器的管弦乐团}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Surplus Hardware, Bare-Metal Synthesis, and the 240-Million-Machine Orchestra}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Et komparativt studie af 28 værktøjsforfattere, fra Perl til TempleOS til Aesthetic Computer}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Un estudio comparativo de 28 autores de herramientas, de Perl a TempleOS a Aesthetic Computer}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 28位工具作者的比较研究，从 Perl 到 TempleOS 到 Aesthetic Computer}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} A Comparative Study of 28 Tool Authors, from Perl to TempleOS to \acrandname{}}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Fra kunstafdelingen i 1939 til \acrandname{} i Broad Art Center}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Desde el Departamento de Arte de 1939 hasta \acrandname{} en el Broad Art Center}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 从 1939 年艺术系到 Broad Art Center 里的 \acrandname{}}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} From the 1939 Art Department to \acrandname{} in the Broad Art Center}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} Fra en hytte i Ashland til 2,6 millioner følgere til Aesthetic Computer}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} De una cabaña en Ashland a 2,6 millones de seguidores a Aesthetic Computer}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} 从 Ashland 小木屋到260万粉丝再到 Aesthetic Computer}\par
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{\aclight\fontsize{9pt}{11pt}\selectfont\color{acgray} From a Cabin in Ashland to 2.6 Million Followers to \acrandname{}}\par
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{\small\color{acgray} Aesthetic.Computer}\par
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{\small\color{acgray} ORCID: \href{https://orcid.org/0009-0007-4460-4913}{0009-0007-4460-4913}}\par
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\vspace{0.3em}