Monorepo for Aesthetic.Computer aesthetic.computer
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··· 1817 1817 - Two Departments, One Building [zh] → ucla-arts-funding-26-arxiv-zh.pdf 1818 1818 - Two Departments, One Building [cards] → ucla-arts-funding-26-arxiv-cards.pdf 1819 1819 - The Potter and the Prompt [en] → potter-and-prompt-26-arxiv.pdf 1820 + 1821 + ## 2026-04-25 17:55 1822 + 1823 + Built: 1824 + - Whistlegraph [en] → whistlegraph-26-arxiv.pdf 1825 + - Whistlegraph [da] → whistlegraph-26-arxiv-da.pdf 1826 + - Whistlegraph [es] → whistlegraph-26-arxiv-es.pdf 1827 + - Whistlegraph [zh] → whistlegraph-26-arxiv-zh.pdf 1828 + - Whistlegraph [cards] → whistlegraph-26-arxiv-cards.pdf
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papers/metadata.json
··· 61 61 }, 62 62 "arxiv-whistlegraph": { 63 63 "created": "2026-03-21", 64 - "revisions": 3, 65 - "updated": "2026-04-06T22:52:45.200Z" 64 + "revisions": 4, 65 + "updated": "2026-04-25T17:55:30.046Z" 66 66 }, 67 67 "arxiv-plork": { 68 68 "created": "2026-03-21",
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··· 5 5 <link rel="alternate" type="text/html" href="https://papers.aesthetic.computer/"/> 6 6 <link rel="self" type="application/atom+xml" href="https://papers.aesthetic.computer/feed.xml"/> 7 7 <id>https://papers.aesthetic.computer/</id> 8 - <updated>2026-04-18T23:13:03.065Z</updated> 8 + <updated>2026-04-25T17:55:30.046Z</updated> 9 9 <author> 10 10 <name>@jeffrey</name> 11 11 <uri>https://orcid.org/0009-0007-4460-4913</uri> ··· 13 13 <icon>https://papers.aesthetic.computer/papers-og.jpg</icon> 14 14 <rights>CC BY 4.0 unless noted otherwise.</rights> 15 15 <entry> 16 + <title>Whistlegraph</title> 17 + <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf"/> 18 + <id>https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf</id> 19 + <updated>2026-04-25T17:55:30.046Z</updated> 20 + <published>2026-03-21T00:00:00.000Z</published> 21 + <category term="arXiv"/> 22 + <author><name>@jeffrey</name></author> 23 + <summary type="text">Drawing, Singing, and the Graphic Score as Viral Form · arXiv 4pp — Whistlegraph explores drawing, singing, and score-making as forms that can spread like software. The paper links graphic notation to performance, remix, and browser-native sharing.</summary> 24 + </entry> 25 + <entry> 16 26 <title>Jeffrey Alan Scudder — CV</title> 17 27 <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/jeffrey-alan-scudder-cv.pdf"/> 18 28 <id>https://papers.aesthetic.computer/jeffrey-alan-scudder-cv.pdf</id> 19 - <updated>2026-04-18T23:13:03.065Z</updated> 29 + <updated>2026-04-25T17:55:30.044Z</updated> 20 30 <category term="arXiv"/> 21 31 <author><name>@jeffrey</name></author> 22 32 </entry> ··· 24 34 <title>The URL Tradition</title> 25 35 <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/url-tradition-26-arxiv.pdf"/> 26 36 <id>https://papers.aesthetic.computer/url-tradition-26-arxiv.pdf</id> 27 - <updated>2026-04-07T23:19:13.903Z</updated> 37 + <updated>2026-04-25T17:55:30.043Z</updated> 28 38 <category term="arXiv"/> 29 39 <author><name>@jeffrey</name></author> 30 40 <summary type="text">Addressable Creative Computing from HyperCard to Aesthetic Computer · arXiv 5pp — The URL Tradition traces how URL-addressability reshapes creative computing. From HyperCard&apos;s landlocked stacks to AC&apos;s prompt-as-address-bar, the paper argues the URL is not a feature but a medium property that transforms pedagogy, distribution, authorship, and social interaction.</summary> 41 + </entry> 42 + <entry> 43 + <title>KidLisp (ELS 2026)</title> 44 + <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/kidlisp-els-2026.pdf"/> 45 + <id>https://papers.aesthetic.computer/kidlisp-els-2026.pdf</id> 46 + <updated>2026-04-24T23:26:01.786Z</updated> 47 + <category term="ELS"/> 48 + <author><name>@jeffrey</name></author> 49 + <summary type="text">A Minimal Lisp for Generative Art with Social Composition · ELS ACM SIGS 4pp — An ELS conference version of KidLisp that emphasizes social composition. It positions the language as a shared practice rather than a solo scripting environment.</summary> 50 + </entry> 51 + <entry> 52 + <title>KidLisp &apos;26</title> 53 + <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/kidlisp-26-joss.pdf"/> 54 + <id>https://papers.aesthetic.computer/kidlisp-26-joss.pdf</id> 55 + <updated>2026-04-24T23:26:01.773Z</updated> 56 + <category term="JOSS"/> 57 + <author><name>@jeffrey</name></author> 58 + <summary type="text">JOSS Summary · 3pp — A compact JOSS summary of KidLisp for archival and citation purposes. It frames the language as a small but expressive tool for generative art.</summary> 59 + </entry> 60 + <entry> 61 + <title>Aesthetic Computer &apos;26</title> 62 + <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/aesthetic-computer-26-joss.pdf"/> 63 + <id>https://papers.aesthetic.computer/aesthetic-computer-26-joss.pdf</id> 64 + <updated>2026-04-24T23:26:01.727Z</updated> 65 + <category term="JOSS"/> 66 + <author><name>@jeffrey</name></author> 67 + <summary type="text">JOSS Summary · 2pp — A compact JOSS summary of Aesthetic Computer for archival and citation purposes. It distills the platform into a conventional software paper format.</summary> 31 68 </entry> 32 69 <entry> 33 70 <title>Aesthetic Computer &apos;26</title> ··· 118 155 <category term="arXiv"/> 119 156 <author><name>@jeffrey</name></author> 120 157 <summary type="text">Goodiepalian Approaches in Aesthetic Computer · arXiv 5pp — This paper treats Goodiepalian practice as a model for radical computer art. It emphasizes play, notation, and the social life of systems over polished product design.</summary> 121 - </entry> 122 - <entry> 123 - <title>Whistlegraph</title> 124 - <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf"/> 125 - <id>https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf</id> 126 - <updated>2026-04-06T22:52:45.200Z</updated> 127 - <published>2026-03-21T00:00:00.000Z</published> 128 - <category term="arXiv"/> 129 - <author><name>@jeffrey</name></author> 130 - <summary type="text">Drawing, Singing, and the Graphic Score as Viral Form · arXiv 4pp — Whistlegraph explores drawing, singing, and score-making as forms that can spread like software. The paper links graphic notation to performance, remix, and browser-native sharing.</summary> 131 158 </entry> 132 159 <entry> 133 160 <title>Sucking on the Complex</title> ··· 278 305 <category term="arXiv"/> 279 306 <author><name>@jeffrey</name></author> 280 307 <summary type="text">Reading the Score looks at the graphic score as an interface for interpretation and collaboration. The paper treats notation as a computational and social object.</summary> 281 - </entry> 282 - <entry> 283 - <title>KidLisp (ELS 2026)</title> 284 - <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/kidlisp-els-2026.pdf"/> 285 - <id>https://papers.aesthetic.computer/kidlisp-els-2026.pdf</id> 286 - <updated>2026-03-29T00:19:12.959Z</updated> 287 - <category term="ELS"/> 288 - <author><name>@jeffrey</name></author> 289 - <summary type="text">A Minimal Lisp for Generative Art with Social Composition · ELS ACM SIGS 4pp — An ELS conference version of KidLisp that emphasizes social composition. It positions the language as a shared practice rather than a solo scripting environment.</summary> 290 - </entry> 291 - <entry> 292 - <title>KidLisp &apos;26</title> 293 - <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/kidlisp-26-joss.pdf"/> 294 - <id>https://papers.aesthetic.computer/kidlisp-26-joss.pdf</id> 295 - <updated>2026-03-29T00:19:12.950Z</updated> 296 - <category term="JOSS"/> 297 - <author><name>@jeffrey</name></author> 298 - <summary type="text">JOSS Summary · 3pp — A compact JOSS summary of KidLisp for archival and citation purposes. It frames the language as a small but expressive tool for generative art.</summary> 299 - </entry> 300 - <entry> 301 - <title>Aesthetic Computer &apos;26</title> 302 - <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/aesthetic-computer-26-joss.pdf"/> 303 - <id>https://papers.aesthetic.computer/aesthetic-computer-26-joss.pdf</id> 304 - <updated>2026-03-29T00:19:12.925Z</updated> 305 - <category term="JOSS"/> 306 - <author><name>@jeffrey</name></author> 307 - <summary type="text">JOSS Summary · 2pp — A compact JOSS summary of Aesthetic Computer for archival and citation purposes. It distills the platform into a conventional software paper format.</summary> 308 308 </entry> 309 309 </feed>
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··· 524 524 <div class="title"><a href="/aesthetic-computer-26-arxiv.pdf" data-base="/aesthetic-computer-26-arxiv">Aesthetic Computer '26</a></div> 525 525 <div class="detail">A Mobile-First Runtime for Creative Computing &middot; arXiv 5pp</div> 526 526 <div class="abstract">Aesthetic Computer is presented as a mobile-first creative computing runtime where the interface, publishing flow, and community feedback loop are part of the medium. The paper argues that small pieces can make software feel more social, more portable, and easier to share.</div> 527 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 527 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 528 528 </div> 529 529 530 530 <div class="p" data-paper-id="kidlisp" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 531 531 <div class="title"><a href="/kidlisp-26-arxiv.pdf" data-base="/kidlisp-26-arxiv">KidLisp '26</a></div> 532 532 <div class="detail">A Minimal Lisp for Generative Art on a Social Platform &middot; arXiv 6pp</div> 533 533 <div class="abstract">KidLisp is the platform's tiny Lisp for building visual and musical pieces in the browser. The paper shows how a minimal language can stay approachable while still supporting generative art and composition.</div> 534 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 534 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 535 535 </div> 536 536 537 537 <div class="p" data-paper-id="plork" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 538 538 <div class="title"><a href="/plorking-the-planet-26-arxiv.pdf" data-base="/plorking-the-planet-26-arxiv">PLOrk'ing the Planet</a></div> 539 539 <div class="detail">Laptop Orchestras, PLOrk Heritage, and Aesthetic Computer &middot; arXiv</div> 540 540 <div class="abstract">This paper connects Aesthetic Computer to laptop orchestras and the collaborative traditions of PLOrk. It treats the browser as a place for ensemble practice, not just solo desktop programming.</div> 541 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 541 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 542 542 </div> 543 543 544 544 <div class="p" data-paper-id="os" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 545 545 <div class="title"><a href="/ac-native-os-26-arxiv.pdf" data-base="/ac-native-os-26-arxiv">AC Native OS</a></div> 546 546 <div class="detail">A Bare-Metal Creative Computing Operating System &middot; arXiv 5pp</div> 547 547 <div class="abstract">AC Native OS describes a bare-metal runtime for creative computing. It focuses on boot-time simplicity and the idea that the operating system itself can be a programmable art surface.</div> 548 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 548 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 549 549 </div> 550 550 551 551 <div class="p" data-paper-id="api" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 552 552 <div class="title"><a href="/piece-api-26-arxiv.pdf" data-base="/piece-api-26-arxiv">From setup() to boot()</a></div> 553 553 <div class="detail">Processing at the Core of the Piece API &middot; arXiv 7pp</div> 554 554 <div class="abstract">The Piece API rethinks creative software around composable pieces instead of monolithic apps. It uses Processing's lineage to connect setup(), boot(), and the act of publishing.</div> 555 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 555 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 556 556 </div> 557 557 558 558 <div class="p" data-paper-id="who-pays" data-created="2026-03-27" data-updated="2026-04-06T22:52:45.200Z"> 559 559 <div class="title"><a href="/who-pays-for-creative-tools-26-arxiv.pdf" data-base="/who-pays-for-creative-tools-26-arxiv">Who Pays for Creative Tools?</a></div> 560 560 <div class="detail">Funding, Burnout, and Survival in Open-Source Creative Computing &middot; arXiv 5pp</div> 561 561 <div class="abstract">A short look at who supports open-source creative tools and what that labor costs. The paper connects funding, burnout, and long-term maintenance to the life of artistic software.</div> 562 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/27</span><span class="revisions" title="Revision count">revision 2</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 562 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/27</span><span class="revisions" title="Revision count">revision 2</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 563 563 </div> 564 564 565 565 <div class="p" data-paper-id="pieces" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 566 566 <div class="title"><a href="/pieces-not-programs-26-arxiv.pdf" data-base="/pieces-not-programs-26-arxiv">Pieces Not Programs</a></div> 567 567 <div class="detail">The Piece as a Unit of Creative Cognition &middot; arXiv 4pp</div> 568 568 <div class="abstract">A piece is treated here as the basic unit of creative cognition in AC. The paper argues that smaller, shareable pieces encourage composition, remix, and publication.</div> 569 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 569 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 570 570 </div> 571 571 572 572 <div class="p" data-paper-id="notepat" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 573 573 <div class="title"><a href="/notepat-26-arxiv.pdf" data-base="/notepat-26-arxiv">notepat.com</a></div> 574 574 <div class="detail">From Keyboard Toy to System Front Door &middot; arXiv 5pp</div> 575 575 <div class="abstract">notepat.com is framed as a keyboard-first front door to the system. The paper follows the toy-like input surface as it grows into a fuller creative interface.</div> 576 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 576 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 577 577 </div> 578 578 579 579 <div class="p" data-paper-id="goodiepal" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 580 580 <div class="title"><a href="/radical-computer-art-26-arxiv.pdf" data-base="/radical-computer-art-26-arxiv">Radical Computer Art</a></div> 581 581 <div class="detail">Goodiepalian Approaches in Aesthetic Computer &middot; arXiv 5pp</div> 582 582 <div class="abstract">This paper treats Goodiepalian practice as a model for radical computer art. It emphasizes play, notation, and the social life of systems over polished product design.</div> 583 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 583 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 584 584 </div> 585 585 586 - <div class="p" data-paper-id="whistlegraph" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 586 + <div class="p" data-paper-id="whistlegraph" data-created="2026-03-21" data-updated="2026-04-25T17:55:30.046Z"> 587 587 <div class="title"><a href="/whistlegraph-26-arxiv.pdf" data-base="/whistlegraph-26-arxiv">Whistlegraph</a></div> 588 588 <div class="detail">Drawing, Singing, and the Graphic Score as Viral Form &middot; arXiv 4pp</div> 589 589 <div class="abstract">Whistlegraph explores drawing, singing, and score-making as forms that can spread like software. The paper links graphic notation to performance, remix, and browser-native sharing.</div> 590 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 590 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 4</span><span class="updated" title="Last updated">Apr 25 17:55</span></div> 591 591 </div> 592 592 593 593 <div class="p" data-paper-id="complex" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 594 594 <div class="title"><a href="/sucking-on-the-complex-26-arxiv.pdf" data-base="/sucking-on-the-complex-26-arxiv">Sucking on the Complex</a></div> 595 595 <div class="detail">Platform Hegemony, Critique-as-Content, and Anti-Environments &middot; arXiv 5pp</div> 596 596 <div class="abstract">Sucking on the Complex critiques platform hegemony and the way critique becomes content. It looks for anti-environments that stay messy, resistant, and alive.</div> 597 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 597 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 598 598 </div> 599 599 600 600 <div class="p" data-paper-id="dead-ends" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 601 601 <div class="title"><a href="/dead-ends-26-arxiv.pdf" data-base="/dead-ends-26-arxiv">Vestigial Features</a></div> 602 602 <div class="detail">Dormant Paths, Evolutionary Branches, and Abandoned Approaches &middot; arXiv 4pp</div> 603 603 <div class="abstract">The paper catalogs dormant branches, abandoned experiments, and paths that never became default. It treats dead ends as useful history rather than failure.</div> 604 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 604 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 605 605 </div> 606 606 607 607 <div class="p" data-paper-id="folk-songs" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 608 608 <div class="title"><a href="/folk-songs-26-arxiv.pdf" data-base="/folk-songs-26-arxiv">Playable Folk Songs</a></div> 609 609 <div class="detail">Oral Tradition Meets the Browser Keyboard &middot; arXiv</div> 610 610 <div class="abstract">Playable Folk Songs brings oral tradition into the browser keyboard. The paper asks how simple interaction can carry collective memory and repetition.</div> 611 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 611 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 612 612 </div> 613 613 614 614 <div class="p" data-paper-id="archaeology" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 615 615 <div class="title"><a href="/repo-archaeology-26-arxiv.pdf" data-base="/repo-archaeology-26-arxiv">Repository Archaeology</a></div> 616 616 <div class="detail">Tracing the Evolution of AC Through Its Git History &middot; arXiv 3pp &middot; <a href="/ac-repo-archaeology">interactive timeline</a></div> 617 617 <div class="abstract">Repository Archaeology traces the project through its git history. The paper shows how version control can become a narrative medium for design evolution.</div> 618 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 618 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 619 619 </div> 620 620 621 621 <div class="p" data-paper-id="network-audit" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 622 622 <div class="title"><a href="/network-audit-26-arxiv.pdf" data-base="/network-audit-26-arxiv">Network Audit</a></div> 623 623 <div class="detail">Who Uses Aesthetic Computer and What Do They Make? &middot; arXiv 4pp</div> 624 624 <div class="abstract">Network Audit asks who uses Aesthetic Computer and what they make with it. The paper turns usage patterns into a portrait of a community in motion.</div> 625 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 625 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 626 626 </div> 627 627 628 628 <div class="p" data-paper-id="kidlisp-ref" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 629 629 <div class="title"><a href="/kidlisp-reference-26-arxiv.pdf" data-base="/kidlisp-reference-26-arxiv">KidLisp Language Reference</a></div> 630 630 <div class="detail">118 Built-ins in 12 Categories &middot; arXiv 4pp</div> 631 631 <div class="abstract">The KidLisp reference compresses the language into a usable field guide. It groups 118 built-ins into 12 categories for quick browsing and recall.</div> 632 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 632 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 633 633 </div> 634 634 635 635 <div class="p" data-paper-id="diversity" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 636 636 <div class="title"><a href="/citation-diversity-audit-26.pdf" data-base="/citation-diversity-audit-26">Citation Diversity Audit</a></div> 637 637 <div class="detail">Diversity and Inclusion in AC Paper Citations &middot; 4pp</div> 638 638 <div class="abstract">Citation Diversity Audit looks at who gets cited in the papers and where the archive is thin. The paper uses citation patterns as a proxy for inclusion and intellectual range.</div> 639 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 639 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 640 640 </div> 641 641 642 642 <div class="p" data-paper-id="open-schools" data-created="2026-03-20" data-updated="2026-04-06T22:52:45.200Z"> 643 643 <div class="title"><a href="/open-schools-26-arxiv.pdf" data-base="/open-schools-26-arxiv">Get Closed Source Out of Schools</a></div> 644 644 <div class="detail"></div> 645 645 <div class="abstract">Get Closed Source Out of Schools makes the case that creative computing should be teachable, inspectable, and modifiable. The paper argues for open tools as infrastructure for learning.</div> 646 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/20</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 646 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/20</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 647 647 </div> 648 648 649 649 <div class="p" data-paper-id="futures" data-created="2026-03-20" data-updated="2026-04-06T22:52:45.200Z"> 650 650 <div class="title"><a href="/five-years-from-now-26-arxiv.pdf" data-base="/five-years-from-now-26-arxiv">Five Years from Now</a></div> 651 651 <div class="detail"></div> 652 652 <div class="abstract">Five Years from Now is a projection paper about where the project could go if current habits continue. It uses the near future to test the consequences of today's decisions.</div> 653 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/20</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 653 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/20</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 654 654 </div> 655 655 656 656 <div class="p" data-paper-id="calarts" data-psycho="1" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 657 657 <div class="title"><a href="/calarts-callouts-papers-26-arxiv.pdf" data-base="/calarts-callouts-papers-26-arxiv">CalArts, Callouts, and Papers</a></div> 658 658 <div class="detail"></div> 659 659 <div class="abstract">CalArts, Callouts, and Papers turns a local institutional context into a study of friction, attention, and production. The paper leans into psycho style to show how academic labor is staged and performed.</div> 660 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 660 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 661 661 </div> 662 662 663 663 <div class="p" data-paper-id="identity" data-created="2026-03-27" data-updated="2026-04-06T22:52:45.200Z"> 664 664 <div class="title"><a href="/handle-identity-atproto-26-arxiv.pdf" data-base="/handle-identity-atproto-26-arxiv">Handle Identity on the AT Protocol</a></div> 665 665 <div class="detail"></div> 666 666 <div class="abstract">Handle Identity on the AT Protocol treats naming as a social and technical problem. The paper explores how handles, identity, and publishing can be tied together without losing portability.</div> 667 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/27</span><span class="revisions" title="Revision count">revision 2</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 667 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/27</span><span class="revisions" title="Revision count">revision 2</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 668 668 </div> 669 669 670 670 <div class="p" data-paper-id="ucla-arts" data-created="2026-03-27" data-updated="2026-04-06T22:52:45.200Z"> 671 671 <div class="title"><a href="/ucla-arts-funding-26-arxiv.pdf" data-base="/ucla-arts-funding-26-arxiv">Two Departments, One Building</a></div> 672 672 <div class="detail"></div> 673 673 <div class="abstract">Two Departments, One Building examines how funding and infrastructure shape creative work in shared spaces. The paper looks at administrative boundaries as part of the artistic system.</div> 674 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/27</span><span class="revisions" title="Revision count">revision 2</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 674 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/27</span><span class="revisions" title="Revision count">revision 2</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 675 675 </div> 676 676 677 677 <div class="p" data-paper-id="holden" data-created="2026-04-05" data-updated="2026-04-06T22:52:45.200Z"> 678 678 <div class="title"><a href="/potter-and-prompt-26-arxiv.pdf" data-base="/potter-and-prompt-26-arxiv">The Potter and the Prompt</a></div> 679 679 <div class="detail">John Holden's Proto-Cognitive Music Theory and Aesthetic Computer &middot; arXiv 7pp</div> 680 680 <div class="abstract">The Potter and the Prompt argues that AC independently converges on the core principles of John Holden's 1770 proto-cognitive music theory. It proposes AC as a computational laboratory for advancing Holden's unfinished program on grouping, attention, and the module.</div> 681 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">04/05</span><span class="revisions" title="Revision count">revision 2</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 681 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">04/05</span><span class="revisions" title="Revision count">revision 2</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 682 682 </div> 683 683 684 684 <div class="p" data-paper-id="kidlisp-cards" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 685 685 <div class="title"><a href="/kidlisp-cards-26-arxiv.pdf" data-base="/kidlisp-cards-26-arxiv">KidLisp Cards</a></div> 686 686 <div class="detail"></div> 687 687 <div class="abstract">KidLisp Cards condenses the language into a pocketable card format. It is meant to make the language easier to browse, teach, and carry.</div> 688 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 688 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 689 689 </div> 690 690 691 691 <div class="p" data-paper-id="score-analysis" data-created="2026-03-21" data-updated="2026-04-06T22:52:45.200Z"> 692 692 <div class="title"><a href="/reading-the-score-26-arxiv.pdf" data-base="/reading-the-score-26-arxiv">Reading the Score</a></div> 693 693 <div class="detail"></div> 694 694 <div class="abstract">Reading the Score looks at the graphic score as an interface for interpretation and collaboration. The paper treats notation as a computational and social object.</div> 695 - <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 15:52</span></div> 695 + <div class="meta-row"><span class="author">@jeffrey</span><span class="created" title="Created">03/21</span><span class="revisions" title="Revision count">revision 3</span><span class="updated" title="Last updated">Apr 6 22:52</span></div> 696 696 </div> 697 697 698 - <div class="p" data-paper-id="url-tradition" data-psycho="1" data-created="" data-updated="2026-04-07T23:19:13.903Z"> 698 + <div class="p" data-paper-id="url-tradition" data-psycho="1" data-created="" data-updated="2026-04-25T17:55:30.043Z"> 699 699 <div class="title"><a href="/url-tradition-26-arxiv.pdf" data-base="/url-tradition-26-arxiv">The URL Tradition</a></div> 700 700 <div class="detail">Addressable Creative Computing from HyperCard to Aesthetic Computer &middot; arXiv 5pp</div> 701 701 <div class="abstract">The URL Tradition traces how URL-addressability reshapes creative computing. From HyperCard's landlocked stacks to AC's prompt-as-address-bar, the paper argues the URL is not a feature but a medium property that transforms pedagogy, distribution, authorship, and social interaction.</div> 702 - <div class="meta-row"><span class="author">@jeffrey</span><span class="revisions" title="Revision count">revision 1</span><span class="updated" title="Last updated">Apr 7 16:19</span></div> 702 + <div class="meta-row"><span class="author">@jeffrey</span><span class="revisions" title="Revision count">revision 1</span><span class="updated" title="Last updated">Apr 25 17:55</span></div> 703 703 </div> 704 704 705 - <div class="p" data-paper-id="cv" data-no-cards="1" data-created="" data-updated="2026-04-18T23:13:03.065Z"> 705 + <div class="p" data-paper-id="cv" data-no-cards="1" data-created="" data-updated="2026-04-25T17:55:30.044Z"> 706 706 <div class="title"><a href="/jeffrey-alan-scudder-cv.pdf" data-base="/jeffrey-alan-scudder-cv">Jeffrey Alan Scudder — CV</a></div> 707 707 <div class="detail"></div> 708 708 <div class="abstract"></div> 709 - <div class="meta-row"><span class="author">@jeffrey</span><span class="revisions" title="Revision count">revision 1</span><span class="updated" title="Last updated">Apr 18 16:13</span></div> 709 + <div class="meta-row"><span class="author">@jeffrey</span><span class="revisions" title="Revision count">revision 1</span><span class="updated" title="Last updated">Apr 25 17:55</span></div> 710 710 </div> 711 711 712 712 <div class="p" data-paper-id="els"> 713 713 <div class="title"><a href="/kidlisp-els-2026.pdf">KidLisp (ELS 2026)</a></div> 714 714 <div class="detail">A Minimal Lisp for Generative Art with Social Composition &middot; ELS ACM SIGS 4pp</div> 715 715 <div class="abstract">An ELS conference version of KidLisp that emphasizes social composition. It positions the language as a shared practice rather than a solo scripting environment.</div> 716 - <div class="meta-row"><span class="created" title="Created"></span><span class="revisions" title="Revisions"></span><span class="updated" title="Last updated">Mar 28 17:19</span></div> 716 + <div class="meta-row"><span class="created" title="Created"></span><span class="revisions" title="Revisions"></span><span class="updated" title="Last updated">Apr 24 23:26</span></div> 717 717 </div> 718 718 719 719 <div class="p" data-paper-id="joss-kidlisp"> 720 720 <div class="title"><a href="/kidlisp-26-joss.pdf">KidLisp '26</a></div> 721 721 <div class="detail">JOSS Summary &middot; 3pp</div> 722 722 <div class="abstract">A compact JOSS summary of KidLisp for archival and citation purposes. It frames the language as a small but expressive tool for generative art.</div> 723 - <div class="meta-row"><span class="created" title="Created"></span><span class="revisions" title="Revisions"></span><span class="updated" title="Last updated">Mar 28 17:19</span></div> 723 + <div class="meta-row"><span class="created" title="Created"></span><span class="revisions" title="Revisions"></span><span class="updated" title="Last updated">Apr 24 23:26</span></div> 724 724 </div> 725 725 726 726 <div class="p" data-paper-id="joss-ac"> 727 727 <div class="title"><a href="/aesthetic-computer-26-joss.pdf">Aesthetic Computer '26</a></div> 728 728 <div class="detail">JOSS Summary &middot; 2pp</div> 729 729 <div class="abstract">A compact JOSS summary of Aesthetic Computer for archival and citation purposes. It distills the platform into a conventional software paper format.</div> 730 - <div class="meta-row"><span class="created" title="Created"></span><span class="revisions" title="Revisions"></span><span class="updated" title="Last updated">Mar 28 17:19</span></div> 730 + <div class="meta-row"><span class="created" title="Created"></span><span class="revisions" title="Revisions"></span><span class="updated" title="Last updated">Apr 24 23:26</span></div> 731 731 </div> 732 732 733 733 <!-- papers-end -->
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··· 5 5 <link rel="alternate" type="text/html" href="https://papers.aesthetic.computer/"/> 6 6 <link rel="self" type="application/atom+xml" href="https://papers.aesthetic.computer/feed.xml"/> 7 7 <id>https://papers.aesthetic.computer/</id> 8 - <updated>2026-04-18T23:13:03.065Z</updated> 8 + <updated>2026-04-25T17:55:30.046Z</updated> 9 9 <author> 10 10 <name>@jeffrey</name> 11 11 <uri>https://orcid.org/0009-0007-4460-4913</uri> ··· 13 13 <icon>https://papers.aesthetic.computer/papers-og.jpg</icon> 14 14 <rights>CC BY 4.0 unless noted otherwise.</rights> 15 15 <entry> 16 + <title>Whistlegraph</title> 17 + <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf"/> 18 + <id>https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf</id> 19 + <updated>2026-04-25T17:55:30.046Z</updated> 20 + <published>2026-03-21T00:00:00.000Z</published> 21 + <category term="arXiv"/> 22 + <author><name>@jeffrey</name></author> 23 + <summary type="text">Drawing, Singing, and the Graphic Score as Viral Form · arXiv 4pp — Whistlegraph explores drawing, singing, and score-making as forms that can spread like software. The paper links graphic notation to performance, remix, and browser-native sharing.</summary> 24 + </entry> 25 + <entry> 16 26 <title>Jeffrey Alan Scudder — CV</title> 17 27 <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/jeffrey-alan-scudder-cv.pdf"/> 18 28 <id>https://papers.aesthetic.computer/jeffrey-alan-scudder-cv.pdf</id> 19 - <updated>2026-04-18T23:13:03.065Z</updated> 29 + <updated>2026-04-25T17:55:30.044Z</updated> 20 30 <category term="arXiv"/> 21 31 <author><name>@jeffrey</name></author> 22 32 </entry> ··· 24 34 <title>The URL Tradition</title> 25 35 <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/url-tradition-26-arxiv.pdf"/> 26 36 <id>https://papers.aesthetic.computer/url-tradition-26-arxiv.pdf</id> 27 - <updated>2026-04-07T23:19:13.903Z</updated> 37 + <updated>2026-04-25T17:55:30.043Z</updated> 28 38 <category term="arXiv"/> 29 39 <author><name>@jeffrey</name></author> 30 40 <summary type="text">Addressable Creative Computing from HyperCard to Aesthetic Computer · arXiv 5pp — The URL Tradition traces how URL-addressability reshapes creative computing. From HyperCard&apos;s landlocked stacks to AC&apos;s prompt-as-address-bar, the paper argues the URL is not a feature but a medium property that transforms pedagogy, distribution, authorship, and social interaction.</summary> 41 + </entry> 42 + <entry> 43 + <title>KidLisp (ELS 2026)</title> 44 + <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/kidlisp-els-2026.pdf"/> 45 + <id>https://papers.aesthetic.computer/kidlisp-els-2026.pdf</id> 46 + <updated>2026-04-24T23:26:01.786Z</updated> 47 + <category term="ELS"/> 48 + <author><name>@jeffrey</name></author> 49 + <summary type="text">A Minimal Lisp for Generative Art with Social Composition · ELS ACM SIGS 4pp — An ELS conference version of KidLisp that emphasizes social composition. It positions the language as a shared practice rather than a solo scripting environment.</summary> 50 + </entry> 51 + <entry> 52 + <title>KidLisp &apos;26</title> 53 + <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/kidlisp-26-joss.pdf"/> 54 + <id>https://papers.aesthetic.computer/kidlisp-26-joss.pdf</id> 55 + <updated>2026-04-24T23:26:01.773Z</updated> 56 + <category term="JOSS"/> 57 + <author><name>@jeffrey</name></author> 58 + <summary type="text">JOSS Summary · 3pp — A compact JOSS summary of KidLisp for archival and citation purposes. It frames the language as a small but expressive tool for generative art.</summary> 59 + </entry> 60 + <entry> 61 + <title>Aesthetic Computer &apos;26</title> 62 + <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/aesthetic-computer-26-joss.pdf"/> 63 + <id>https://papers.aesthetic.computer/aesthetic-computer-26-joss.pdf</id> 64 + <updated>2026-04-24T23:26:01.727Z</updated> 65 + <category term="JOSS"/> 66 + <author><name>@jeffrey</name></author> 67 + <summary type="text">JOSS Summary · 2pp — A compact JOSS summary of Aesthetic Computer for archival and citation purposes. It distills the platform into a conventional software paper format.</summary> 31 68 </entry> 32 69 <entry> 33 70 <title>Aesthetic Computer &apos;26</title> ··· 118 155 <category term="arXiv"/> 119 156 <author><name>@jeffrey</name></author> 120 157 <summary type="text">Goodiepalian Approaches in Aesthetic Computer · arXiv 5pp — This paper treats Goodiepalian practice as a model for radical computer art. It emphasizes play, notation, and the social life of systems over polished product design.</summary> 121 - </entry> 122 - <entry> 123 - <title>Whistlegraph</title> 124 - <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf"/> 125 - <id>https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf</id> 126 - <updated>2026-04-06T22:52:45.200Z</updated> 127 - <published>2026-03-21T00:00:00.000Z</published> 128 - <category term="arXiv"/> 129 - <author><name>@jeffrey</name></author> 130 - <summary type="text">Drawing, Singing, and the Graphic Score as Viral Form · arXiv 4pp — Whistlegraph explores drawing, singing, and score-making as forms that can spread like software. The paper links graphic notation to performance, remix, and browser-native sharing.</summary> 131 158 </entry> 132 159 <entry> 133 160 <title>Sucking on the Complex</title> ··· 278 305 <category term="arXiv"/> 279 306 <author><name>@jeffrey</name></author> 280 307 <summary type="text">Reading the Score looks at the graphic score as an interface for interpretation and collaboration. The paper treats notation as a computational and social object.</summary> 281 - </entry> 282 - <entry> 283 - <title>KidLisp (ELS 2026)</title> 284 - <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/kidlisp-els-2026.pdf"/> 285 - <id>https://papers.aesthetic.computer/kidlisp-els-2026.pdf</id> 286 - <updated>2026-03-29T00:19:12.959Z</updated> 287 - <category term="ELS"/> 288 - <author><name>@jeffrey</name></author> 289 - <summary type="text">A Minimal Lisp for Generative Art with Social Composition · ELS ACM SIGS 4pp — An ELS conference version of KidLisp that emphasizes social composition. It positions the language as a shared practice rather than a solo scripting environment.</summary> 290 - </entry> 291 - <entry> 292 - <title>KidLisp &apos;26</title> 293 - <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/kidlisp-26-joss.pdf"/> 294 - <id>https://papers.aesthetic.computer/kidlisp-26-joss.pdf</id> 295 - <updated>2026-03-29T00:19:12.950Z</updated> 296 - <category term="JOSS"/> 297 - <author><name>@jeffrey</name></author> 298 - <summary type="text">JOSS Summary · 3pp — A compact JOSS summary of KidLisp for archival and citation purposes. It frames the language as a small but expressive tool for generative art.</summary> 299 - </entry> 300 - <entry> 301 - <title>Aesthetic Computer &apos;26</title> 302 - <link rel="alternate" type="application/pdf" href="https://papers.aesthetic.computer/aesthetic-computer-26-joss.pdf"/> 303 - <id>https://papers.aesthetic.computer/aesthetic-computer-26-joss.pdf</id> 304 - <updated>2026-03-29T00:19:12.925Z</updated> 305 - <category term="JOSS"/> 306 - <author><name>@jeffrey</name></author> 307 - <summary type="text">JOSS Summary · 2pp — A compact JOSS summary of Aesthetic Computer for archival and citation purposes. It distills the platform into a conventional software paper format.</summary> 308 308 </entry> 309 309 </feed>
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